Farmers Spared Towering Oaks from the Bulldozers of Urbanization

After an aquifer-filling 24 hours, the clouds parted just in time for this morning’s opening ceremonies for Phil Hardberger Park. 

Former Mayor Hardberger does not take the responsibility of having the 300-acre park named in his honor lightly.  Since leaving office, he has assumed the presidency of the Phil Hardberger Park Conservancy; along with his wife Linda, donated $100,000 from their private foundation; found the conservancy a home in his former office space in the Milam Building; and, perhaps most importantly for the future of the park, installed the powerhouse behind several former mayors – Betty Sutherland – as the conservancy’s executive director.

The opening provided a break from editing the edits in a book about the farmers, Max and Minnie Voelcker, who lived on the land now Hardberger Park.  Editor Lynnell Burkett and I agree about the placement of the oft-cursed comma (refer to earlier ‘ode’) surprisingly more frequently than that of the devilish colon.  

During this morning’s ceremonies, the former mayor said the parkland will endure for centuries to come, long after those who had anything to do with it are forgotten.  Already, Voelcker is far from being a household name, even for those living near the park. 

Although the Voelckers ran cattle on their land once dairy-farming became unprofitable for small operators; they always considered themselves farmers.  The stories of their farm and all the dairies that flourished in this part of San Antonio once known as Buttermilk Hill are endangered.  A May 14 editorial in the San Antonio Express-News provided evidence some of the few who know the Voelcker name now term the land’s historical usage as “ranch.”

While Max and Minnie were simple farmers, their legacy stands in the towering oak trees they carefully preserved and the foundation they endowed to support medical research of benefit to many, The Max and Minnie Tomerlin Voelcker Fund.  But, having spent months and months with their papers and photos encircling my desk, I want others to know these stubborn farmers who so tenaciously clung to their land despite the immense pressures of urbanization.

So back to the edits.  Let’s get The Last Farm Standing on Buttermilk Hill on the press, before everyone forgets that “on this farm there was a cow.”

‘Faux Bois’ Roots Run Deep in San Antonio

Like remnants of an ancient petrified forest blending in with the urban landscape, San Antonio’s cement artworks, faux bois or trabajo rustico, are cherished landmarks.  The rough “bark” of the old trolley stop near Central Market in Alamo Heights; the covered bridge in Brackenridge Park; and the entrance to the Japanese Tea Garden has been rubbed to a sheen by the exploring hands of generations of San Antonio’s children.

The craft of creating trabajo rustico sculptures could have been lost for San Antonio following the deaths of Dionicio Rodriguez and Maximo Cortes, but fortunately Maximo’s son, Carlos Cortes, inherited both the secret formulas and the talent to continue to add prominent public artwork throughout the city.  Carlos installed a graceful “cypress” bursting through the ceiling in the middle of the San Antonio Children’s Museum; built the Treehouse for the Witte Museum; added a trellis to the River Walk; recently completed the massive Grotto for the river’s Museum Reach; and installed benches in a pocket park.

San Antonio’s connections to the art form of trabajo rustico are explored during an exhibit and related symposium, both part of the celebration of Historic Preservation Month.  The Tradition of Trabajo Rustico:  Fantasies in Cement can be viewed in the Russell Hill Rogers Lecture Hall in the Navarro Campus of the Southwest School of Art and Craft through May 30.

Speakers at the symposium on the morning of Saturday, May 15, include Patsy Pittman Light, author of Capturing Nature:  The Cement Sculpture of Dionicio Rodriguez.  Following a box lunch, there will be a bus tour of some of San Antonio’s faux bois landmarks and a demonstration by Cortes at his studio.

The morning session is admission-free.  The fee for lunch and the afternoon bus tour is $25.  For more information, telephone the San Antonio Conservation Society, 210-224-6163.

January 16, 2013, Update: San Antonio’s faux bois art and artists are featured on KLRN ARTS.

Let the Alamo Guardians Retaliate

No official comments from the Daughters of the Republic of Texas have been submitted to any of the posts about The Alamo on this blog; so it seems only fair to share their official stance on diverse topics with readers.  Sort of an equal-time kind of thing. 

This way to give the custodians of The Alamo their opportunity to vent about attacks against them in the media is courtesy of The Alamo Wake-Up Call Channel on YouTube.

May 13 Update“Another Battle Brews at The Alamo”

June 18 Update“DRT Now Under State Investigation”; Attorney General Gregg Abbott’s Request to Examine DRT; related editorial; and Alamo without Director

June 23 Update:  Reports on the saga continue:  “Hopefully, we will be successful in narrowing the scope and extending the time window, as DRT is in the middle of gathering information for our upcoming audit,” Atkins wrote.

July 1 Update:  Editorial pointing out the Alamo’s cracked roof as symbolic of the DRT’s problems.

Update on October 19John Branch editorial cartoon: