Postcard from Istanbul, Turkey: Tooting horn about restitution of artifacts

Above: Stag rhyton, Milas, Turkey, 400 BCE, displayed in the Istanbul Archaeological Museum

The elegant stag rhyton pictured above must have been quite a status symbol for its owner in ancient Turkey. Today’s value of the combination wine aerator and drinking vessel, $3.5 million, probably made it even more so for the billionaire American collector who acquired it without verifiable provenance.

For decades, Michael Steinhardt displayed a rapacious appetite for plundered artifacts without concern for the legality of his actions, the legitimacy of the pieces he bought and sold, or the grievous cultural damage he wrought across the globe. His pursuit of ‘new’ additions to showcase and sell knew no geographic or moral boundaries, as reflected in the sprawling underworld of antiquities traffickers, crime bosses, money launderers, and tomb raiders he relied upon to expand his collection.”

Cyrus Vance, Jr., District Attorney of Manhattan, December 2021 Statement

Now it is part of a growing collection of repatriated stolen antiquities proudly showcased in the Istanbul Archaeological Museum.

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Postcard from San Antonio: Brothers share maximalist hospitality hints

Above: A place setting of “Le Point de Bascule,” an installation by the de la Torre Brothers as part of their exhibition, “Upward Mobility,” at the McNay Art Museum

An appetizing invitation from the de la Torre Brothers you can’t refuse? First entering the McNay’s gallery containing their almost-all-media dinner-party installation, “Le Point de Bascule,” you feel as though the guests must have stepped away from the table for a smoke on the patio after a wildly fabulous meal. Taxidermy around the walls make it feel oddly at home in big-game-hunting Texas.

We’re repulsed by this opulence. But we’re also thinking: ‘God, I wish I’d been invited to this party.’”

Artist Einar de la Torre, interviwed by Patricia Escarcega for an article in The New York Times

Above: The dining room table in “Le Point de Bascule,” a multimedia art installation by the de la Torre Brothers

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Postcard from San Antonio, Texas: Reclaiming creek as urban asset

Above: “Restoration,” mural by Kathy and Lionel Sosa

Once upon a time, I logged a lot of hours at City Hall, sometimes parking on a surface lot behind it. Behind it meaning on the other side of an unrecognizable creek. An ugly footbridge, hemmed in by chained-link fencing, crossed a narrow trash-filled concrete-walled ditch – San Pedro Creek. A place creepy enough to leave me feeling I should pay an extra dollar or two to park in front of City Hall.

Above: 1889 photograph of San Pedro Springs, Austin History Center via Portal to Texas History

Development and insensitive flood-control projects had destroyed what had once been a healthy spring-fed creek.

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