Postcard from Palermo, Sicily: Marionettes and mummies

Above: Museo Antonio Pasqualino Internazionale delle Marionette

Opera dei Pupi, a traditional form of Sicilian puppet theater originally focused on tales of the Crusades and French knights, was on the verge of disappearing when it attracted the interest of surgeon Antonio Pasqualino. He set about collecting everything he could related to the art and sparked the interest of others with the 1965 founding of the Association for the Conservation of Folk Traditions. A decade later, the association established the International Puppet Museum, naming it in memory of Pasqualino following his 1995 death.

The collection has become international in scope and is far from stagnant. The museum fosters cultural exchanges by hosting an international festival annually, nurturing contemporary artists and staging performances for all ages. We were surprised to witness a group of 11- and 12-year-olds howling at every punchline delivered in a dated traditional show.

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Postcard from Bordeaux, France: Saint Seurin saved the city, but Vikings later destroyed his church

Above, statue of Saint Seurin of Bordeaux

With the withdrawal of Roman protection, Aquitaine became vulnerable to attacks by a host of others – the Vandals, the Goths, the Franks.

According to legends, as Saint Martin of Tours was dying in the year 397, he appeared in a vision to Seurin, a bishop engaged in fighting the spread of Arianism. Saint Martin directed Seurin to go to Bordeaux.

Bordeaux had no job openings for bishop, but, miraculously, the presiding bishop had a vision as well. The Lord directed him to welcome Seurin with open arms. So, the pair met, embraced and entered the church together; Seurin emerged with the title. The timing was fortuitous for the city’s residents, under attack by either Goths or Franks at the time, because Seurin was able to perform numerous miracles to successfully defend the city.

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Postcard from Malaga, Spain: Discovering a church’s “changing tower”

Holy banner of the Virgin Mary paying a call on Santuario de la Victoria

Judging from the silvered coach transporting the banner of the Virgin Mary on a traffic-snarling journey through the streets of Malaga to visit some of city’s other prominent figures of Mary – of which there are many, all elegantly attired and crowned – the banner must be highly regarded by the supporting brotherhood. A team of well-groomed oxen pulled her ahead of a fleet of flatbed tented trailers bearing a host of traditionally costumed followers, refueling themselves periodically from kegs of beer or wine.

We caught up with the procession after its visit to Santuario de la Victoria. The basilica dedicated to Saint Mary of Victory stands on the site of the encampment of King Ferdinand II of Aragon (1452-1516) when he laid siege to recapture Malaga from the Moors in 1487. The original church built soon after was replaced by a grander edifice completed in 1700.

What makes this church one of my favorites in Spain is the most spectacular chamber we almost missed. Up high behind the altar, accessed by a stairway tucked away behind doors off to the side of the altar, is what is referred to as a camarin torre, a changing tower. I am still unsure what that means, but inside a beautifully carved Virgin and Child are held aloft under a most ornate snowy white and gold dome.

The basilica might have risen to be my favorite anywhere if we had been allowed into the crypt down below. Inside are the sculptured tombs of the Counts of Buenavista, accompanied by a host of carved skeletons. Alas, the crypt was closed for restoration, perhaps completed by now.

Including a few final remaining shots of other Malaga churches and Marias in this post as well.