Postcard from Palermo, Sicily: Phillips’ passion for collecting left me entranced

Above: Detail from “Curriculum Vitae XI,” Tom Phillips

The muses visit children in disguise with shrouded gifts ~ Terpsichore gives her a skipping rope ~ From Clio he receives old stamps of far forgotten colonies ~ Darkly to me Apollo and his team present the pnuema ~ the creative spark ~ all strife of art inside a filing clerk.”

Excerpt of text on Tom Phillips’ “Curriculum Vitae XI”

Last spring, we almost missed what emerged as our favorite museum in Palermo. Palazzo Butera was newly opened. Although we passed by it often, we didn’t see it in any guidebook or even resources online.

Word art by British artist Tom Phillips (1937-2022) so captivating it demands you stop in your tracks to slowly digest every morsel of poetry within each piece. But how could I absorb them all when we had a whole museum ahead of us?

The amazing part of this is his process. Most of his “Curriculum Vitae” series is composed in iambic pentameter, a form of traditional English poetry with ten syllables per line (Yes, I learned this through labels.). Yet, they are written, or carved as it were, somewhat on the fly.

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Postcard from Oviedo, Spain: Things that matter along the streets

Above: Souvenir display in a shop window

Mass-manufactured souvenirs might be tacky, but they often serve as indicators of what distinctive symbols a community values. Assigned positions of prominence here are replicas of the pair of treasured bejeweled crosses from the Cathedral, the ancient ones recovered and repaired following a brazen 1977 theft. And the beloved Virgen de la Esperanza (Hope) from Capilla de la Balesquida across the plaza.

And then there is apple cider. Almost a religion as well. The ritualistic way to pour cider is to hold the glass at waist level and pour from above one’s head, essentially aeration. Obviously, a talent best left to the experienced waiters circling within the sidrerias, which are far from difficult to locate. You are supposed to down this serving immediately before it goes flat and then wait patiently for a server to stop to pour another glug from your bottle. The cider has about the same alcohol content as standard American beer.

And there, completing this cherished trinity, perched front and center in the window, is Mafalda. Argentinian Quino created the wise-cracking six-year-old girl, usually with a smile on her face, to voice satirical criticism of her enemies: Fascists, militarists and, for some strange reason, soup.

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Postcard from Morelia, Mexico: Polishing off a few more meals

Above: Chiles capones filled with salsa de guacamole at La Guarecita de San Agustin

The first time we peeked into La Guarecita de San Agustin, I rejected it. Having lived in San Antonio for about four decades, the restaurant’s interior decor, waitress uniforms and even logo reminded me too much of some old-school, Tex-Mex restaurants from home. In other words, it gave me the impression it was designed to attract gringo tourists. But later, some friends wanted to try it, and we found it packed with locals.

A platter of plump fried charales caught from nearby Cuitzeo Lake as a starter improved my attitude. Then, La Guaracita introduced me to stuffed chiles capones (the featured photo), which I loved. Instead of a specific type of chile, the name is derived from “gallo capon,” a term for a rooster emasculated for fattening. For chiles, emasculation refers to reducing the heat factor by removing the inner ribs and seeds. The chiles in this case, I believe, were regional dried chilacas – pasillas – deeply rich in flavor but not overly spicy.

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