2024: More than 16,000 pages in 49 novels

With a talent for losing myself in a novel accompanied by absolutely no capabilities for recalling the name of the author or title, I love using Goodreads to record those for me. The website also tidily bundles your reads up at the end of the year. This look back reminded me that the first book I completed this past year was also both the longest, with 736 pages, and among my favorites – The Bee Sting by Paul Murray.

Other books that that rang five-star for me for varying reasons were: Peace Like a River by Leif Unger; The Vaster Wilds by Lauren Groff; Same Bed Different Dreams by Ed Park; The House of Doors by Tan Twan Eng; Death and the Penguin by Andrey Kurkov; The Turtle House by Amanda Churchill; The Cemetery of Untold Stories by Julia Alvarez; Of Women and Salt by Gabriela Garcia; Anita de Monte Laughs Last by Xochitl Gonzalez; My Grandmother Asked Me To Tell You I’m Sorry by Fredrik Backman; Hard by a Great Forest by Leo Vardiashvili; Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin; All the Colors of the Dark by Chris Whitaker; and Five-Star Stranger by Kat Tang.

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Postcard from Bilbao, Spain: Buen provecho

Above: Pinxtos at Kapikua Casco Viejo

For a break between traditional American holiday fare, here is part two of restaurants we sampled for you in Bilbao last year. Might as well begin with more of the competitive sport of ordering pinxtos in our crowded neighborhood spot, Kapikua Casco Viejo. Doesn’t take very many of these hearty appetizers to make a meal.

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Postcard from London, England: Journeying inside the V&A

Above: Reflections in the viewing mirror installed above the Ardabil carpet, a commission for the ruling Shah of Iran made by Maqsud Kashani about 1540

One of the most popular spots in the Victoria and Albert Museum is the long sofa next to the ancient Ardabil carpet. While the rug’s design is exquisitely executed with about 3,500 wool knots per square inch, for many, the bench is the main attraction. Ah, the chance to reflect and rest. We were fortunate to have the time to visit more than once during our stay.

It’s easy to be bowled over by the swirling, shimmering colors of Dale Chihuly’s immense contemporary glass chandelier suspended under the graceful dome of the grand entrance hall to the museum. The sheer size of the 1862 iron choir screen from the Hereford Cathedral addressing the space competes for your attention.

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