Postcard from Queretaro, Mexico: MACQ confronts contemporary topics

Above: “Waiting Has a Price,” Rodney Zelenka, 2021

Visiting this past summer, I found myself awestruck by the contemporary political and social issues tackled by exhibitions at the Museum of Contemporary Art of Querétaro (MACQ). Although housed within the walls of an ancient convent, the museum’s international art is far from the conservative colonial paintings long associated with the city.

“Incomprehensible Realities,” a show by Panamanian artist Rodney Zelenka (1953-), delivered the universal plight of migrants to the forefront with the powerful precision of a karate chop, to be expected from a painter with a Black Belt. Many of his surrealistic works featured suitcases, shoes, hats – things that get left behind – executed in bright primary colors normally associated with happiness set against a backdrop of gray splotches resembling abstract gravestones.

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Postcard from Amsterdam, Netherlands: A melting pot of food from different lands

Above: Tower of spinach-stuffed winter squash, eggplant, goat cheese, apricot, and caramelized onion atop couscous at Rainarai Prinsengracht

We only had time to sample a handful of restaurants in Amsterdam, but two drew us back multiple times. Maybe these photos will help you decide what’s a good fit for you.

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Postcard from London, England: Painter’s former home exotic as a peacock

Above: Staircase hall in the Leighton House, Holland Park, Kensington, London

My parents surrounded me with every facility to learn drawing, but, strongly discountenanced the idea of my being an artist unless I could be eminent in art.”

Lord Frederic Leighton, 1879

From a wealthy family, Frederic Leighton (1830-1896) traveled extensively throughout Europe and exotic countries bordering the Mediterranean. He studied art in France, Germany and Italy and emerged an artist of striking talent on the fast track toward “eminence.” In 1855, Leighton exhibited his first major painting at the Royal Academy in London and scored a monumental sale.

There was a very big picture by a man called Leighton. It is a beautiful painting, quite reminding one of a Paul Veronese, so bright and full of light. Albert was enchanted with it—so much so that he made me buy it.”

Diary entry of Queen Victoria, 1855

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