Postcard from Budapest, Hungary: Graves reveal layers of Hungarian history

The policy of the house of Austria, which aimed at destroying the independence of Hungary as a state, has been pursued unaltered for 300 years.

Lajos Kossuth (1802-1894)

A bronze winged genius, a protecting spirit defiantly bearing a torch of freedom, stands guard with a powerful lion atop the recently restored massive wedding-cake-like mausoleum memorializing Lajos Kossuth. A lawyer and extremely effective orator, Kossuth’s journalistic endeavors to promote an independent Hungary led the Austrian monarchy to imprison him for treason.

The Austrians later regretted releasing him, as he became the inspirational leader of the Hungarian Revolution of 1848. By 1850, the interlude of independence faltered and Kossuth was in exile in Turkey. In London, he was welcomed as a hero, and New York staged a parade on Fifth Avenue to herald the defeated Hungarian leaders. A bust of him is displayed near one of Winston Churchill in the United States Capitol. While Kossuth spent most of the rest of his life in exile, he was well honored at home after his death.

Kossuth is one of many residents of Kerepesi Cemetery, opened for occupancy in 1847. The national pantheon sprawls over more than 130 acres of peaceful grounds shaded by so many different types of trees it doubles as a botanical garden. Declaration of it as a decorative cemetery in 1885 led to its role as a sculptural paradise reflecting Hungarian artistic trends as well.

Alright, a cemetery is an unusual entry point for the upcoming series of travel posts about Budapest, but it is no secret I love wandering among ancient graves. Also, Hungarian history is so complicated by the turbulent history of all of Europe, the cemetery serves a restful resource for slowly absorbing some of the waves that swept through it.

For example, the genius atop the mausoleum of Ferenc Deak (1803-1876) seems much more peaceful than that of Kossuth. The angelic figure bears a palm frond and a laurel wreath, symbols of immortality. Deak is remembered as a statesmen who successfully negotiated with Emperor Franz Josef to establish a dual Austrian-Hungarian monarchy, the Compromise of 1867.

Here you find graves of artists and writers inspiring patriotism and those motivated by their words who fell in wars. Arcades adorned with mosaics offering shelter to some of Budapest’s wealthy stand in contrast to the workers’ pantheon added in 1958. There are graves of Russians who died liberating Budapest from the German fascists, and memorials for Hungarians who were killed during the 1956 unsuccessful revolt against Soviet control.

Art deco details in some sections stand in stark contrast to the severe style dictated by later Communist rulers. Four horses struggle to break free from the corners of a tent-like shroud ominously sheltering the tomb of the Hungary’s first elected president after the fall of Communism, Jozsef Antall (1932-1993).

Introducing you to Budapest through this cemetery is meant to illustrate how we failed to strictly adhere to guidebook lists of the top 10 must-see attractions and things to do when visiting, despite staying there for a month. I’ll just get our shortcomings as guides helping shape your future travels, probably verging on sinful to many, out of the way now.

(1) We did not take the dinner cruise on the River Danube. Spending time standing in a buffet line to get food while missing the scenery seemed as though it would defeat the point, so we walked both sides of the river instead. Multiple times.

(2) We did not dip into the famed Turkish baths. As architecturally seductive as they are, the images of people crowded in the pools and men standing in waist-deep water playing chess failed to entice me to want to join them. They seem to have an abundant supply of wrinkled, overweight patrons without me.

(3) We only tasted goulash once. Can’t believe I confessed to that last one.

Postcard from Bologna, Italy: My taphophobia trumps my taphophilia*

I afterwards went to the beautiful cemetery of Bologna, beyond the walls; and found, beside the superb burial ground, an original of a custode, who reminded me of the grave-digger in Hamlet. He had a collection of capuchins’ skulls, labelled on the forehead; and taking down one of them, said, This was Brother Desidero Berro, who died at forty years, one of my best friends. I begged his head of his brethren after his decease, and they gave it to me. I put it in lime and then boiled it. Here it is, teeth and all, in excellent preservation.

Baron George Gordon Byron, Letter and Journals of Lord Byron: With Notices of His Life, published posthumously in 1831

According to Lord Byron’s guide, more than 50,000 people already inhabited the Certosa di Bologna two decades after its establishment, so its population almost two centuries later must be significant. These new residents rest atop a former Etruscan necropolis. The original grounds and initial buildings were part of San Girolamo di Casara, a former Carthusian monastery established in 1334 but closed by the order of Napoleon in 1796.

When the city of Bologna staked its claim to the land for its cemetery in 1801, it declared it to be a “monumental” one with palaces for the dead designed as suitable lodging for Bologna’s nobility. The wealthy responded by providing employment to artisans and noted sculptors to create lasting tributes to their dynastic glories.

The site quickly was promoted as a must-see destination for visitors, with tours offered soon after its founding. Lord Byron described an interesting monument pointed out during his tour:

In showing some of the older monuments, there was that of a Roman girl of twenty, with a bust by Bernini. She was a Princess Barlorini, dead two centuries ago: he said, that on opening her grave, they had found her hair complete and as yellow as gold.

With only Lord Byron as our guide, we wandered seeking ancient graves, ones predating 1800. His instructions were not specific, however, and the population of the cemetery has increased.

We never found any of the earlier graves, but our urge to search was dampened by the hovering presence of one bird cawing ominously as he seemed to follow us around.

I scare easily. I’m always the one in horror films to say don’t open the door to the basement; don’t go upstairs to the attic; and no, no, no, Wendy, whatever you do, do not peek at what Jack is typing…. So, of course, I heeded the bird’s warning.

We might have been able to find them if I had been willing to take any of the stairways leading into a dark and damp maze of catacombs underground. I had no bread with me to leave a trail of crumbs, and, in my mind, crumbs only would have been consumed by some unfriendly creatures scurrying around below. Leaving us lost among the dead. Forever.

Instead, I assured the Mister my taphophilia temporarily was sated by the massive number of impressive monuments we passed. So we left our feathered friend behind and returned to the more vibrant heart of Bologna.

*My fear of being buried alive is far greater than my love of wandering through graveyards.

Postcard from Ferrara, Italy: The magnetic pull of cemeteries

Taking a little sabbatical in the midst of writing the final chapter of a book about the families living around the Coker Settlement, an assignment that has me digging, figuratively speaking, through the graveyard for long-buried clues about their lives.

So where did we accidentally wind up on our first day in Italy trying to walk off the fog from staying awake all night to fly across the ocean? A cemetery.

A beautiful, parklike cemetery with acres and acres of Renaissance-style arcades and mausoleums. The grounds of Certosa di Ferrara originally belonged to a Carthusian monastery founded in 1461, but the monks found their compound within the walls of Ferrara when Ercule d’Este, now resting there, expanded and fortified the city in 1492. The final blow, however, was delivered by Napoleon when he confiscated all church lands at the end of the 1700s.

With such wonderful names engraved there  – Chiavissimo Zabardi, known for his austere ideals and honest work before he died in 1910; Achille Valli, an early publicista who departed this world in 1915; Illuminata and Giuseppe Solovagione, with their photos perched atop a whole family tree of their descendants who later joined them – I could have wandered for hours wondering about their stories.

Yet, this was our first day in Italy. How could I spend it among the dead?

So the Mister tugged gently on my arm, and we left to begin exploring the more vibrant areas of Ferrara in Emilia Romagna, Italy.

Cemeteries are such peaceful places, but, after all, we will have much more time than we desire to spend in one later. Much later, I hope.