Leave a Lasting Imprint

Their handprints symbolize the mark they made and, for some, continue to make on San Antonio.  The founders of the San Antonio Women’s Pavilion, which opened in time for HemisFair ’68, left their imprints in tiles designed by Ethel Wilson Harris on a back wall of the pavilion designed by architect Cyrus Wagner.  Writing in San Antonio Current, Jessica Ramos described the building:

The 12,000-square-foot, four-level building’s most eye-catching traits include the city’s tradition of masonry infused with ’60s-inpired open spaces, Mexican brick, hand-carved doors by Lynn Ford, and modulated lighting that includes skylights, clerestories, wooden grills, and Martha Mood ceramic fixtures.  One can squeeze into any nook of the building and still have a view of all of its levels.

Grassroots fundraising efforts made the original construction of the pavilion, dedicated to the contributions of the women to the world, possible.  Ramos wrote:

(Sherry Kafka) Wagner and other prominent San Antonio women, including Nellie Connally, wife of Governor John Connally, Edith McAllister, Mary Denman, Patricia Galt Steves, and Bertha Gonzalez, wife of Congressman Henry B., organized a bottom-up campaign with the intention of showcasing women’s achievements in art, science, business, and government.  They hosted coffee parties to finance the exhibition.  One coffee klatch seeded hundreds, and soon, more than 8,000 women from 49 states and 14 countries became members by donating funds — as little as $1 apiece — to build the pavilion.  What began as plans for a temporary exhibition space soon flourished with an organized wave of support.  The word-of-mouth movement attracted other organizations, which donated thousands of dollars in grants to build a permanent structure.

“You have to remember, this was before the women’s movement,” said Wagner, “this was huge.”

Today’s board of directors of the Women’s Pavilion, including Wagner, are resorting to grassroots efforts again to restore the building as part of the city’s revitalization plans for HemisFair Park.

This is late notice for one of the ways you can help this Saturday.  Drop by the AIA’s Center for Architecture at Pearl Brewery any time between 9 a.m. and 4 p.m. to help cut out bags from recycled convention banners.  According to the Express-News:

Volunteers cut the tote bag and banner patterns, created by local designer and store owner Kathleen Sommers, from the vinyl banners. Those pieces are then delivered to La Fuerza Unida, a sewing cooperative and social justice organization, to be sewn…. Last year, La Fuerza Unida sewed 206 pieces for the Women’s Pavilion.  All the items sold within two hours of the group’s first sale in November.

If it’s too late for you to go tomorrow, mark your calendar for August 21.

The colorful bags and aprons sell from $32 to $46 and represent a great fundraising tool, but, with $12 million to secure for the renovation project, more than that is needed.  So the Women’s Pavilion is looking for helping hands of another kind as well for the Artful Legacy Project.  Each donor of $500 will have a scanned image of her hand and her name engraved into a glass tile.  In collaboration with artists Gini Garcia and Kay Lorraine, the resulting wall installed adjacent to the pavilion will be illuminated at night with fiber optic lights that change colors.

The board of the Women’s Pavilion is a creative and determined one.  Current quotes member Ginger Purdy:   

Before I leave this planet, I am going to bring that building back to life.

P.S.  Don’t forget to bail Gayle out of jail!

If Julian can hang in the powder room, then I am proud to do so

Okay, friends, before you start dismissing my prints as “potty art”….

A number of years ago, we were gifted two small sketches by noted San Antonio painter Julian Onderdonk, 1882-1922.  We live in a loft, but these little sketches need to be viewed close up in an intimate setting.  That’s why they hang in the powder room where they are seen as frequently as our art of more humble pedigree, as most guests wind up in that room at some point.

Two series of my prints occupy two entire rooms in Zinc Champagne. Spirits. Wine. at 207 North Presa Street.  The Blue Book Series is found in what is now known as the Bawdy Blue Room, while the Frida y Diego Series resides in La Galería de Frida. 

Alright, I admit it.  The “two entire rooms” are hardly traditional, soaring gallery spaces.  They are multipurpose facilities.  You can enter them to view the art privately, with the added convenience of relieving yourself and washing your hands. 

Zinc is owned by the “Boudro Boys,” Richard Higbie and Randy Mathews.  The restaurant business takes nerves of steel, and Randy’s therapy lies in metalwork.  While I am sure he would like to exhibit his sculpture in the prestigious Bawdy Blue Room or La Galería de Frida, his artwork is simply too large in scale.  His pieces are forced out into the courtyard.

While you probably are ready to zip over to Zinc immediately to see my prints, there are additional reasons to go.  Click here to view Zinc’s menu, and the following is from an earlier post exploring some of San Antonio’s food offerings:   

The name immediately lets you know the beverage side of the menu is well-stocked; yet the bartenders do not complain about making something off-menu – such as what I have christened a “tequito,” a mojito with tequila instead of rum.  Zinc is open during the week for lunch, but seems to be trying to keep that secret.  Pears, goat cheese and pecans perk up a small Zinc salad, and the portobello patty melt with spinach, nopalitos and cheese is hearty fare.  The sweet potato fries arriving on the same plate keep me from exploring the menu much farther, despite the high praise friends lavish on the Texas salmon salad with pearl couscous.

So drink at Zinc until you think about that artwork conveniently hung by the bathroom sink.

Cinematic Overload Ahead

poster designed by Rigoberto Luna

An admission-free screening of films on Main Plaza from 8 to 10 p.m. on Saturday, June 19, will launch the 16th annual San Antonio Film Festival.    

The first of seven films of varying length to be shown on the outdoor screen that night is “Recuerdo,” the second video piece by San Antonio artist Vincent Valdez.  Produced by the Federal Art Project and the Southwest School of Art and Craft with production supervision by Luis Guizar, the work consists of a San Antonio cityscape and portraits of San Antonians from various backgrounds.  

The film festival will continue from June 23 to 27 at Instituto Cultural de México in HemisFair Park , showcasing independent filmmakers and featuring more than 120 films on three screens over the five-day span.   The offerings come from all over the map and include all types of filmsTickets range from $10 to a $69 package.  

Running less than two minutes, Yoni Goodman’s Closed Zone is among the shortest of the shorts.  

Having spent much time recently with Lynnell Burkett discussing commas (actually the common colon proved our most challenging deviation about punctuation) as we try to get Last Farm Standing on Buttermilk Hill to press, I was drawn to Ken Kimmelman’s animated film, Thomas Comma.   Based on a story by poet Martha Baird, the film is the adventure of a lonely comma, drawn by hand and then “painted” on computer.  According to Baird:  

We’re all of us like commas looking for the right sentence.