WHEREAS, A native of the American Southwest and the Sonoran Desert region of Mexico, the prickly pear cactus provided nourishment to the earliest inhabitants of those regions, and both the sweet, fleshy fruit and the broad, flat stems were incorporated into tasty dishes; and
WHEREAS, Tunas, the prickly pear fruit, and nopales, which are made from the stem, have since become staples of the Mexican diet, and their growing popularity in Lone Star cuisine can be attributed to Texans’ appreciation for unusual and distinctive foods; and….
WHEREAS, This adaptable plant can survive under many different environmental conditions, and thus can be found from the hill country of Central Texas to the windswept plateaus and arid mountains of West Texas; because it thrives in a harsh climate that few plants can bear, the prickly pear cactus is often grown as forage for cattle and has had a tremendous positive impact on the vital Texas cattle industry; and
WHEREAS, Rugged, versatile, and uniquely beautiful, the prickly pear cactus has made numerous contributions to the landscape, cuisine, and character of the Lone Star State, and thus it is singularly qualified to represent the indomitable and proud Texas spirit as an official state symbol; now, therefore, be it
RESOLVED, That the 74th Legislature of the State of Texas hereby designate the prickly pear cactus as the official state plant of Texas.
Viewed from the east side of the San Antonio River, the graceful arch indeed appears a portal to pathways on the other side. But Mel Chin‘s “CoCobijos” changes appearance as you approach and circle it.
Commissioned by the San Antonio River Foundation to link the Mission Reach of the river to nearby Mission San Jose, the massive steel sculpture represents the pads of two arching prickly pears joined together.
The prickly pear theme arose from two of Houston-born Chin’s first impressions of the area. Interviewed by Jack Morgan for “Texas Standard” on Texas Public Radio, Chin explained:
One: “I was looking at the roofs of the mission and I found that there was a whole planting of them, a bunch of them that have been growing there since the 1930s.”
Two: “After visiting the site… I noticed how hot I was.”
And since: “There’s nothing stronger than the state plant of Texas, I believe.”
Now: “There’s two of them coming together to create a shelter from the sun and a habitat for live cactus growing above.”
According to the San Antonio River Foundation website, Chin reflected about the resiliency of prickly pear and how the plant historically has nurtured people and animals. The lacey steel picado patterns echo the internal structure of nopal pads.
About the same time “CoCobijos” was unveiled in this semi-rural setting, according to Glasstire, Chin was taking over Times Square and several other spots in New York City with multimedia works portraying frightening potential results if global warming is allowed to continue into the future uncontrolled.
The New York installations are gone, but you need only head south from downtown along the San Antonio River to view Chin’s masterful piece of public art now a permanent part of San Antonio’s landscape.
Postcards from Barton Springs 