An Ostrich-Plumed Hat: Chapter Eighty-Two

Above, 1915 newspaper advertisement placed by Anheuser-Busch for Budweiser

an ostrich-plumed hat

Begin with Chapter One ~ Return to Chapter Eighty-One

Former Governor Thomas Mitchell Campbell, September 1915

“‘Work is His answer to prayer. Work is reward for faithful work. Work His expression of care. Work is iron to human blood. Work, the crown of all mankind.’” Thomas folds the newspaper up so he can eat his eggs and bacon without having to read more of Pa Ferguson’s Labor Day speech.

“I can’t stand having that peanut politician in the governor’s mansion, Fannie. Not sure whether he tries to portray himself as a preacher or Henry Wadsworth Longfellow.”

“Well, his words lack the eloquence of ‘The Village Blacksmith,’ and he is a far cry from a blessing sent by God.”

Continue reading “An Ostrich-Plumed Hat: Chapter Eighty-Two”

Postcard from Nervi, Genoa, Italy: Two modern art museums near the seaside

There was a little girl,
Who had a little curl,
Right in the middle of her forehead.
When she was good,
She was very good indeed,
But when she was bad she was horrid.

Henry Wadsworth Longfellow (1807-1882)

With one wall depicting sweets and attention lavished upon a good child and another the unpleasantness awaiting a naughty boy, Antonio Rubino (1880-1964) transformed a child’s room into illustrations seemingly plucked from the pages of a collection of nursery rhymes. The 1921 bedroom with a “City of Dreams” is but one of the unusual galleries encountered in Wolfsoniana, located in the seaside suburb of Genoa, Nervi. Here, among other things, we learned the Battle of Flowers is not unique to San Antonio; Ventimiglia is known for its Battaglia di Fiori.

The collection of art dating from 1880-1945 in this new museum reflects the interests of Miami-born Mitchell Wolfson, Jr. He opened the first museum showcasing his passions in 1995 in the Art Deco District in Miami Beach. As Wolfson became increasingly attached to Genoa, he moved some of his immense personal collections there. He considers himself, according to the Wolfson Collection website:

…a conservationist because of my desire to discover, but not possess. The challenge is to save endangered objects that are ignored or not held in admiration by others….

Before I decide to buy an object I think whether it belongs to the narrative or not. Truth and beauty don’t interest me particularly. I am interested in the language of objects….

It is the goal of my collection: “to make people think.”

…but I’m not interested in what you think: I shall simply be happy to have stimulated the birth of an idea within you, of a souvenir, a dream.

Mitchell Wolfson, Jr.

Nearby in the 15th-century Villa Saluzzo Serra, the Galleria d’Arte Moderna focuses on artwork from the beginning of the 19th century to contemporary. The base of the museum’s holdings came from Prince Oddone (1846-1866) of Savoy’s collection. The avid collector, a son of King Vittorio Emanuele II (1820-1878), was sickly and died at the young age of 19. The City of Genoa actively acquired art between 1912 and 1950 from the Venice Bienniale and Rome Quadriennale exhibitions, and some of Wolfsoniana’s overflow is on display in the villa as well.