Postcard from London, England: Journeying inside the V&A

Image of a postage stamp featuring the Victoria and Albert Museum, showcasing its grand architectural design and surrounding greenery.

Above: Reflections in the viewing mirror installed above the Ardabil carpet, a commission for the ruling Shah of Iran made by Maqsud Kashani about 1540

One of the most popular spots in the Victoria and Albert Museum is the long sofa next to the ancient Ardabil carpet. While the rug’s design is exquisitely executed with about 3,500 wool knots per square inch, for many, the bench is the main attraction. Ah, the chance to reflect and rest. We were fortunate to have the time to visit more than once during our stay.

It’s easy to be bowled over by the swirling, shimmering colors of Dale Chihuly’s immense contemporary glass chandelier suspended under the graceful dome of the grand entrance hall to the museum. The sheer size of the 1862 iron choir screen from the Hereford Cathedral addressing the space competes for your attention.

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Postcard from Morelia, Mexico: Foreign beliefs transform both faith and art

“My spirit that is upon you,” Isaiah 59 verse 21, translation of one of the Latin phrases floating around the canvas of “El Obispo Juan de Palafox y Mendoza” by Miguel Cabrera

As in Europe, art served as a primary tool for friars to introduce the mysteries of Catholicism to those of other beliefs. Consequently, religious paintings from that period form the core of the collection of Museo de Arte Colonial. The works are displayed in a house of the Colonial period which was renovated in 1984.

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Postcard from Zaragoza, Spain: Alma Mater and the Countless Martyrs

Above: Reliquaries in the Alma Mater Museum

After Aragon King Alfonso I (1073-1134), the Battler, conquered the Moors (prior post), construction began immediately on a cathedral atop a former Mosque. The king gifted the archbishop with adjacent land for his headquarters.

When Aragon King Alfonso II (1157-1196) ascended to the throne, he had other plans. The Aljaferia Palace was not grand or comfortable enough for him, so he began major remodeling and additions to this prominent location. Upper floors in the Mudejar and later Renaissance traditions reflect the styles favored by subsequent royals of Aragon and Spain.

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