Postcard from Sevilla, Spain: If a resident peacock fanned his tail inside Real Alcazar, would anyone even notice?

According to traditional Western norms of design, seemingly incongruous combinations of floor-to-ceiling colors, textures and materials create a remarkable feast for the eyes in the Alcazar Palace.

In 913, in what had been the ancient Roman city of Hispalis, the ruling Caliph of Cordoba ordered the center of government be established on this site. His successors further embellished the palace and expanded it toward the Guadalquivir River.

When the Castilians under Ferdinand III (1199-1252) gained control of the territory in 1248, portions, but not quite all, of the original palace were lost as Christian rulers sought to imprint their taste and traditions onto the site.

Pedro I (1334-1369), either called Pedro el Cruel or Pedro el Justo depending on which version of history one sides, had a lot of complications in his life. In addition to those continually and violently contesting his throne, Pedro as a young ruler was coerced into several arranged politically advantageous marriages despite his obvious love of Maria de Padilla (1334-1361).

Before Pedro’s half-brother, Henry II of Castile (1334-1379) dealt him fatal blows, Pedro made extensive use of the talented artisans and craftsmen on hand in Sevilla to build a palace luxurious enough for him and his mistress. The Mudejar alterations resulting from the Moorish architects employed by the Christian king produced handsome results.

The Alcazar’s contradicting yet complimentary architectural styles represent an evolutionary melding of royal whims from 11th-century Moors through 13th-century Gothic, 14th-century Mudejar and the Renaissance of the 15th and 16th centuries. The ruling Bourbons made further architectural alterations to suit their 19th-century tastes and residential requirements.

Real Alcazar is where Queen Isabella I of Castile (1451-1504) contracted with Christopher Columbus to finance his explorations. The palace was the setting chosen for Holy Roman Emperor Charles V (1500-1558) to meet and marry Isabella of Portugal (1503-1539) in 1526. Today, portions of the palace still function as an official royal residence of the Spanish monarchy.

In addition to actual history-making events, the palace and grounds of Real Alcazar have lent their magical atmosphere to diverse film and television projects from Lawrence of Arabia in 1962 to several seasons of Game of Thrones.

And lo, the azulejos. What tiles are found throughout.

Postcard from Salamanca, Spain: Cathedrals dominate the city

Construction on Salamanca’s “Old Cathedral,” which ended up combining Romanesque and Gothic styles, began in the 12th century in honor of Santa Maria de la Sed.

But several centuries later, Ferdinand (1452-1516) and Isabella (1451-1504) had much to celebrate – expelling the Moors and opening the doors to the riches of the Americas among them.

A few years after her death, Ferdinand commissioned an even larger “New Cathedral” adjacent to the old. So as not to clash with its older neighbor, Late Gothic style was employed originally; however, after a century or two of construction, it proved impossible to resist adding a Baroque copula or two to top things off.

The siblings stand majestically side by side; both seemingly serviceable for several more centuries ahead.

The sculptural reminder that we all have to die, Memento Mori, is one of the most frightening images I’ve ever seen in church. But, at least it was placed up high in a side chapel…. Maybe if we keep traveling, it will encounter difficulties locating us?