Seeing San Fernando Cathedral in a new light….

So easy to be lazy about something when you know you have ten years to see it. Plus, I must confess, I feared Xavier de Richemont’s San Antonio Saga might be a sanitized, preachy-teachy version of San Antonio’s history.

But the painterly projections of the Algerian-born Frenchman are accompanied by music as they sweep masterfully across the façade of San Fernando Cathedral. The massive kaleidoscopic collages quiet the crowd, mesmerized by the colorful images dominating Main Plaza.

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The Main Plaza Conservancy has made a major contribution to the downtown landscape with this installation, and the Archdiocese of San Antonio is wonderful to offer the Cathedral as a canvas for the light show four nights a week. A video is not the same as being there, but hopefully will convince you to drag everyone you know downtown for the admission-free show.

Postcard from Lisboa: Final Random Souvenirs

Promise. This is it. The final photographic scraps from our month in Lisbon.

Which reminded me that jacaranda trees should be added to the prior list of things I’d like to see more of in San Antonio. Lady Bird advises no, but their lavender blooms are so beautiful in Lisbon, as in San Miguel de Allende. Plant them right next to those luscious orange tulipan trees from Oaxaca. Or maybe with a wild olive tree or two in between.

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Tchau.

Neighborhood memories embedded in the walk

dances-at-auditoriumDances at Municipal Auditorium They’d

bring a rope down the middle and

blacks would dance on one side

whites on the other side

Sometimes the rope would fall down

and no one said anything

Varied our morning walk and was reminded of one of my favorite sidewalk-art sites in Southtown – neighbors’ remembrances embedded around the pocket park on South Presa. This one seems appropriate with the completed transformation of Municipal Auditorium into the Tobin Center for the Performing Arts.

The walk also took me by an old haunt, the un-graves of the Meier Brothers.

And here’s the transformation of the auditorium to the Tobin Center as viewed from the offices of Marmon Mok. No rope down the middle.