Postcard from Coimbra, Portugal: Saintly secrets whispered from walls

Aside from choosing a saint’s name for First Communion, the stories of saints were pretty much swept under the rug during my Catholic upbringing. But there are more than 10,000 mere mortals whose miraculous deeds, and/or martyrdom, have merited elevation to sainthood.

Their lives envelop you in Portugal, in churches, convents, monasteries and museums. Some saintly stories send signals arousing skepticism, such as the painting of the miracle “St. Bernard and the Lactation” in the Machado de Castro Museum in Coimbra. I didn’t take a photo because it seemed juvenile of me, but baby Jesus nursing on one of Mary’s breasts with a stream of milk squirting out the other into the open mouth of an adult man is a little hard to swallow as an appropriate vision for a sane man to proclaim publicly. And yet attain sainthood?

The fate of the five faithful Franciscans St. (that title bestowed later) Francis sent, or sentenced, to proselytize to the Moors in southern Spain and Morocco, on the other hand, is easier to grasp as saint-worthy. Not surprisingly, the Sultan did not embrace their message. So much so he personally beheaded the five (their shocked expressions captured on the azulejos above), whose remains were miraculously moved to Coimbra where they would inspire missionary zeal in a young Anthony – later to become St. Anthony and a great excuse for someone from a city named in his honor to journey to Portugal in advance of his feast day.

And Queen Isabel (Saint Elizabeth of Portugal, 1271-1336) certainly is recorded as a virtuous role model. Pledged to King Dinis at age 12, she plunged herself into daily devotions as he continued to relish rowdy romps at court while awaiting the actual marriage date a few years later. Once at court, she slowly began to alter the king’s ways by her pious example of prayer and service to the poor, pressuring ladies of the court to assist her, not welcomed as a popular pastime by all.

Queen Isabel was known as a peacemaker, even positioning herself upon a mule between two armed factions poised on the battlefield. She managed to broker peace between her son Affonso and his father during the Civil War arising because Affonso felt the King favored the rise in power of one of his illegitimate sons. (“Ah, Mom,” whined the Prince. “My wife, ever the party-pooper,” grunted the King.) Queen Isabel lavishly funded construction of the Santa Clara Convent while the king was still alive, and, after his death, retreated there herself to serve the poor.

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And, of course, it’s not just their stories. Often it’s parts of them. Literally. Portugal hosts many gleaming reliquaries designed to preserve and display a bone or two of various sizes. As the Mister once remarked years ago with amazement, “One saint sure goes a long way.” Although mysteriously, many of the bones of the reliquaries prominently displayed in Portugal seem to be missing.

One day, much later, I will post my confession about my fascination with relics of saints.

But must be going, if we can make our way through all the partying Spaniards swarming Lisboa for a major soccer match. Two Spanish teams, for some reason. The Lisboa police might welcome some intercessions by Saint Isabel in the streets tonight to part the well-lubricated factions.

Postcard from San Miguel de Allende: Sun rises again at La Aurora

“Holy Wedding,” watercolor by Kelley Vandiver

More than 300 workers lost their livelihoods when the giant mechanical looms quit spinning cotton at Fabrica la Aurora in 1991. After 90 years, the massive mill stood silent.

Twenty years later, artists began to breathe new life into the abandoned structures as developers reopened one after another to create a vibrant center of art and design. The studios of working artists, art galleries, antique stores, restaurants and cafes now number more than 40, meaning meandering through the campus can take several hours.

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Naturally, my favorite space belongs to artist Kelley Vandiver because every painting tells a story – the kind I call “saintly stories nuns never told me.” And Vandiver splices wonderful iconography into the tales he weaves.

Why live in Mexico? Vandiver’s answer:

This is a beautiful country that embraces the insane and the artistic with open arms.

Prescribing a dose of ‘Blue Medicine’

Without true love we just exist

So here we lay in our comfy coffins….

“Comfy Coffins” by Joe Reyes and Erik Sanden

Rather dark-sounding for Valentine’s season. But, after all, February 14 commemorates the date Saint Valentine was beheaded some 17 centuries or so ago – a detail Hallmark certainly let fall through the cracks.

photo by Ramin Samandari
photo by Ramin Samandari

But, despite blue-sounding lyrics, the harmonizing voices of Demitasse – Joe Reyes and Erik Sanden – leave you feeling uplifted. Their songs represent their therapeutic approach to recovering from losing their fathers following long-term illnesses.

The other night Joe Reyes said singing them made him feel grown-up, but the expressions the duo wear don’t look it. The pair sports these impish Vienna-Choir-Boys-type smiles while singing, clearly enjoying every minute they are playing together. And it’s contagious.

Bedlamb Records describes their vocals:

The sound is somewhere between Simon and Garfunkel, Leonard Cohen, and the Beach Boys on a dark day. Or Elliott Smith on an extremely bright, sunny day. Or John Cale tossing his car keys to Neil Young.

Demitasse’s music went well paired with a hazelnut and arugula salad and a bottle of wine, but form your own opinion by listening here.

Demitasse appears on Tuesday nights this month at the Liberty Bar. The residency comes in advance of the release of Blue Medicine on Bedlamb Records.

There’s no cover, and the music begins at 7 p.m. But don’t wait until 7 if you would like a seat at a table.

Going will cure what ails you.