Category: Saintly Stories Nuns Never Told Me

Postcard from Catania, Sicily: Path to sainthood painful, but it’s Santuzza’s day

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Above: Statue of Saint Agatha, affectionately known as Santuzza, in front of the Basilica di Sant’Agata in Catania

I wanted to do a “birthday” post for Saint Agatha (231?-251?), but recent world news knocked the wind out of my sails to the point I felt unable to complete it last night. But that’s not fair to Santuzza on her feast day, February 5.

Saint Agatha can’t be expected to solve all the world’s problems. The faithful turn to her for intercession so often; she already has a lot on her hands. The Sicilian martyr serves as the patron saint of victims of breast cancer or rape, and of wet nurses, firefighters, workers in bell foundries and bakers. Plus, Sicilians offer prayers to the Catania native for safety from earthquakes and volcanic eruptions of Mount Etna. The virgin martyr also is the patron saint of both Palermo and Catania in Sicily.

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Postcard from Palermo, Sicily: Modern art in Sant’Anna haunt

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Above: Richard Avedon’s 1981 photograph, “Natassja Kinski and the Serpent,” is superimposed over one of a cage protecting a cluster of bones in the crypt below Sant’Anna la Misericordia, home to Palermo’s Galleria d’Arte Moderna.

Granted this Richard Avedon photo of “Natassja Kinski” in the nude was not displayed in such close proximity to bones in the crypt of the church of Sant’Anna alla Misericordia, but, after all, nothing is more naked than bones. And churches in Italy have always been home to art, religious art that in the time of its creation was considered contemporary.

When citizens in Palermo determined they needed to have a Modern Art Museum in 1906, they boldly ventured forth to Venice in 1907 to acquire avant-garde works to supplement their Sicilian collection. Launched in 1895, the Venice Biennale quickly garnered international prestige. Ongoing buying trips through the years enabled the museum to trace the evolution of symbolism and modernism in art.

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Postcard from London, England: Globe-spanning collection ignites imagination

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Above: “Tippoo’s Tiger,” Tipu Sultan’s automaton seized from Seringapatam, Mysore, South India, by the East India Company in 1799, eventually ending up displayed in the Victoria & Albert Museum.

It’s a giant mechanical tiger… and I just was so enchanted by it. Because I’d seen British propaganda – you know, cartoons and ethnographic representations of Indians – but I’d never seen Indian art depicting the colonizer or the English…. I think Tipu Sultan, who commissioned it… was so contemptuous of the British and so determined to drive them out of India…. This was a gift to his sons, who had been taken hostage by the British.”

Tania James, author of the novel Loot, interviewed in 2023 by Ari Shapiro for All Things Considered on NPR

By chance, I had recently read Tania James’ Loot when we visited Victoria & Albert Museum last year. Spying the 18th-century automaton tiger one grasps how it sent the author’s imagination flying back into history to investigate the tiger’s origins. The soldier-mauling tiger serves as a mighty symbol of conquered nations’ contempt for their colonizers.

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