Postcard from Oaxaca, Mexico: Always welcome more candles on your cake

This woman’s anxious expression on a wall in Oaxaca is a bit frightening to have surfaced close to my birthday. I’ve decided to consider her as successfully defiant.

Some years are harder than others. The image below of the late Vicente Fernandez did not weather well this past year.

But walls in Oaxaca are everchanging canvases for artists, new discoveries encountered with every walk. As prints peel and fade, other layers soon are plastered over them – palimpsests of life.

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Postcards from Amsterdam, Netherlands: ‘Stories that Matter’ told by the brave

Above: Names of journalists and photographers killed in the line of duty memorialized at the opening exhibition of the World Press Photo 2024 Awards in the Nieuwe Kerk Amsterdam

In the two decades since 2003, at least 1,668 journalists have lost their lives while trying to shed light on issues of importance to us all, according to Reporters without Borders. In 2023, another 45 names were added to that list. The list prominently displayed in Amsterdam’s New Cathedral for the opening of the World Press Photo 2024 Awards must have hit the photographers hard – names of coworkers and friends they have made while covering stories in danger zones throughout the world.

The Nieuwe Kerk is hardly “new,” having been consecrated in 1409. While the “Royal Church” is still used for royal weddings and coronations, it also serves as a venue for important exhibitions, such as this one. With its soaring vaulted ceiling, floors embedded with tombs and cherubs overlooking all, the dramatic setting emphasized the seriousness of the meaningful topics delved into by the award-winning photographers.

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Postcard from San Antonio: Brothers share maximalist hospitality hints

Above: A place setting of “Le Point de Bascule,” an installation by the de la Torre Brothers as part of their exhibition, “Upward Mobility,” at the McNay Art Museum

An appetizing invitation from the de la Torre Brothers you can’t refuse? First entering the McNay’s gallery containing their almost-all-media dinner-party installation, “Le Point de Bascule,” you feel as though the guests must have stepped away from the table for a smoke on the patio after a wildly fabulous meal. Taxidermy around the walls make it feel oddly at home in big-game-hunting Texas.

We’re repulsed by this opulence. But we’re also thinking: ‘God, I wish I’d been invited to this party.’”

Artist Einar de la Torre, interviwed by Patricia Escarcega for an article in The New York Times

Above: The dining room table in “Le Point de Bascule,” a multimedia art installation by the de la Torre Brothers

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