Postcard from Valencia, Spain: Philips lightbulb only hint of ‘secret’ garden of tiles beyond

An over-the-top flashy exterior of a former home now the National Museum of Ceramics and Decorative Arts commands the attention of most visitors in the historic center of Valencia. Almost the only thing attracting one’s attention to a smaller house museum on a busy street above the Turia Park is this old tile advertisement. But this, the House Museum José Benlliure, we enjoyed so much more.

The first floor of the former home provides insight to period furnishings, with the upper floors featuring paintings by José Benlliure y Gil (1858-1937) and his son. While the art is worthwhile on its own, the more intriguing spaces are found out the back door.

Benlliure designed the garden upon his return from Rome in 1912. The intimate retreat is filled with tile murals he collected and a colorful series he commissioned depicting regional costumes and agricultural products – mainly oranges and grapes.

At the rear of the garden is the artist’s former art studio and office, wonderfully cluttered and personal. A pure pleasure to explore.

Having the house mostly to ourselves, we felt as though we stumbled into a secret garden of Spanish tilework.

Postcard from Valencia, Spain: Failed again to spy the Holy Grail

Two years ago, we missed the clues secreted in the cup of the 12th angel over the 12th gate in the Cathedral in Cuenca.

But wait. Maybe Cuenca is not where the chalice was at Jesus’ place during his Last Supper was hidden away by the Knights Templar. Some claim it to be sitting right there in plain view in a chapel in Saint Mary’s Cathedral in Valencia where all can visit it.

An entrance fee replaced the mystery surrounding the Holy Grail hidden in Cuenca. We paid, but once again were as deprived in our quest as the knights of King Arthur. The chapel was closed temporarily.

Consecrated in 1238, the cathedral was built upon the remains of a Visigoth church that had been turned into a mosque. Although primarily Gothic in design, lengthy construction and additions led to portions spanning styles from Romanesque to Neoclassical.

While much of the interior is somewhat plain, the church does include two paintings by Francisco de Goya (1746-1828), including the pictured one of an exorcism in progress.

Oh, and then there is an arm. The arm purportedly was attached at one time to Saint Vincent, Martyr, the patron saint of Valencia. Imprisoned in Valencia, the archdeacon of Saragossa faced his test of faith in 304. After stretching him on a rack, Vincent’s tormenters were frustrated by his calm and even joyful countenance despite the pain they inflicted. His flesh was torn by hooks, and he was tied to a red-hot iron grate. As if that was not enough, they rubbed salt in his wounds before he succumbed to the multitude of his injuries. His mangled body was thrown in the sea but washed ashore where his relics were guarded by a raven until retrieved by the faithful.

Two-hundred and seven stairs ascend the interior of the tower of the cathedral. Two family members elected to climb, while one volunteered to stay at the base in case they needed her for scale in photos.

So, maybe are destined to never find a trail to the Holy Grail. That is, unless we travel to Leon in northern Spain and pay the entrance fee to the museum in the Basilica of San Isidoro, where another “real” grail is housed.

Postcard from Xativa, Spain: Socarrat good for paella but not for a town

In Valencia, the crispy caramelized socarrat around the edges of the paella pan is a cook’s goal, but scorched is far from ideal when applied to your town.

Spaniards have referred to residents of Xativa as socarrats since the early 1700s. Flush with victory at the Battle of Almansa securing Spain for the Bourbons, the vengeful Phillip V (1683-1746) ordered the town taken and set ablaze. Felipe has not been forgiven, his portrait condemned to hang upside down in the city’s Almodi Museum.

The twin peaks of Monte Vernissa above Xativa have been fortified since Roman times. Himilice, the wife of Hannibal, gave birth to a son there in 218 B.C. Although the fortress appears difficult to conquer, sometimes alliances place one on the conquered side because of battles lost elsewhere.

While under Moorish control, Xativa became the 12th-century European center for production of paper. Most of the walls stretching across the two hilltops today are preserved from the Islamic and Gothic periods. Portions of the castles and fortifications were rebuilt more frequently, including the upper Santa Fe Tower – destroyed by a gunpowder explosion in 1563, an earthquake in 1748 and the French in 1813.

Xativa was home to the powerful Borgia family, known for their Machiavellian political maneuvers. Two of the Xativa-born Borgias became popes, Calixtus III (1378-1458) and Alexander VI (1431-1508). The city also takes great pride as the birthplace of the painter Jose de Ribera (1591-1652).

Out of respect for possible remaining scorched sensibilities, the Mister opted for rabo del toro instead of socarrat-crusted paella. Translated literally, this means bull’s tail, making one think this was one way Spain took care of the remnants of bullfights. But it is oxtail, slowly cooked to an extremely tender stage and served with the resulting rich broth.