Sarah’s faces more than a thousand times better…

Summer 2010: St. Mark’s Episcopal Church. Check.

Witte Museum. Check.

Texas Highway Patrol Association. Uh… no.

I put the pen down and asked him why he wanted to send a check to the Texas Highway Patrol Association.

“Because they called several times and told me I owe them money.”

“Owe them money?”

“They said I pledged it.”

“Did you?”

“I don’t know. Probably. I always send them money. A couple of times a year.”

I started explaining to him again how telemarketers generally are wolves in sheep’s clothing. Even the Texas Department of Public Safety posted warnings about this unrelated wart tarnishing its reputation.

“But what about the poor families? The wives and children whose husbands are killed in the line of duty.”

He was but one victim among many who fell prey to an extremely lucrative fundraising scheme. According to a 2012 story by John Tedesco in the San Antonio Express-News:

The operation generated nearly $12 million in revenue from 2004 to 2009. Tax records showed it gave only $65,300 to troopers and their families over the same period, or roughly one-half of 1 percent of its fundraising.

The scam was busted. The Texas Highway Patrol Museum in Southtown, the front for the fake “charity,” was shuttered. The building sitting prominently at the intersection of Alamo and St. Mary’s Streets was sold; although the sale of it was quite contentious.

No one in the neighborhood missed the “museum;” the only thing appealing about it was the outside signage. Soon, though, the storefront windows were covered with plywood. An affront to the ‘hood.

But photographer Sarah Brooke Lyons has helped the building save face by adding faces to disguise the plywood façade.

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The faces peopling the building represent a small portion of the 1,005 Sarah is capturing as part of her public art project, which received a boost earlier this summer from a $1,000 grant from The Awesome Foundation. Here is her description of the project:

The desire is to showcase the diversity of San Antonio through the faces and thoughts of our community, and in doing so provide a clear image of what our city really looks like. Promoting the movement of DreamWeek San Antonio, and moving away from cliche’s of Riverwalk and margaritas; San Antonio is a cosmopolitan, multicultural epicenter with eclectic people looking to create an awesome place to live and celebrate our talents and interests. 1005 faces is a collaborative art project as it can only be created by the coming together of friends and strangers to create the full scope, and fulfill the goal of photographing 1005 distinct faces.

These faces, particularly that of centenarian Bill Sinkin, make me feel much better than the man sitting at the museum reception desk twiddling his thumbs while telemarketers scammed the elderly to plump his payroll.

Thanks, Sarah.

Luminaria Arts Night Shimmers

The first Luminaria on Alamo Plaza was magical.

Replicating that feeling the following years proved difficult.

But last night, organizers and artists had a new formula nailed. There was room to move and more to see and experience than you could possibly squeeze into the fleeting five hours.

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And, in defiance of the predicted rain, the apocryphal Saint Apophenia, “the patron saint of fortune tellers, the mentally ill, coincidence, patternmakers and artists,” kept the clouds from crying on the crowds.

Update on March 11, 2013: First impressions of Luminaria from the website of the Express-News

Update on January 13, 2014: An artistic pilgrimage to artist Chris Sauter’s Saint Apophenia is underway in San Antonio currently: http://therivardreport.com/chris-sauter-pilgrimage/.

Processing Art through Public Filters, Part Two

whitewashedOn the left side of the photo on the right is a wall.

The wall, prepped for painting, is not architecturally stunning.

In fact, one could say it is architecturally challenged.

Perhaps that is why the artist wanted to make a monkey out of it.

monkeyBut this building is located in the King William Historic District, and, according to the San Antonio Express-News, some of its residents evidently felt Robert Tatum’s Chi Chi Monkey made a mockery of the neighborhood.

tame-birdSo the artist came up with a rendering for a tame bird sporting a Tyrolean hat perched outside a gingerbready bird house, all nods to the characteristics of the neighborhood.

Some of the residents were happy.

But, upon further reflection, the artist was not.

He must have felt as though he had his wings clipped.

This tame bird is not representative of his art, and this bird house is on the outside wall of his office.

cuckoo-birdSo he transformed the bird into something more reflective of his style, more of a wild-eyed cuckoo bird too big-headed to fit into his house.

This bird looks much more like Tatum’s style, but some of the neighbors balked at the new one.

The frustrated artist told reporter Scott Huddleston it will be his prized bird or no bird at all.

The poor members of the Historic Design and Review Commission are left in the middle, stuck walking the tightrope between artistic integrity and the strict enforcement of guidelines of the historic district.

I’m rooting for the cuckoo.

Sometimes we take ourselves so seriously, we kill the spirit of things. “We” includes me. Sometimes.

I draw a rigid line in the sand when it comes to protecting sensitive areas, such as the Alamo Plaza Historic District. I’ve even gone so far as to label myself Alamobsessive about it.

But South Alamo in Southtown is not across from the Alamo. And this building is not nestled among stately residences.

It’s in more of the entertainment part of the neighborhood. People walking by the back side of this building are most likely on their way to art galleries or restaurants.

And this wall is not exactly in pedestrians’ faces. It is set way back from the sidewalk and street.

But what about its across-the-street neighbor? Well, that’s got to be about the most laid-back, relaxed place around – The Friendly Spot. The cartoonish cuckoo bird will fit right in and should delight the kids scampering over the Spot’s playscape while their parents gather with friends.

The photo below shows the current wall when viewed from the entrance of The Friendly Spot.

friendly-spot

You probably are thinking I posted the wrong photo. But no. That’s the proposed canvas, way back behind the red SUV, tucked unobtrusively between two buildings. If the bird’s features are not exaggerated, they won’t show up at all.

The tame version of the mural is like the Mission Drive-In, where the spirit of the original art was put in a straitjacket.

Art should reflect its creator. In this location, there seems no need to over-process it in the name of King William’s integrity.

Let that cuckoo bird fly free.

Update on March 7, 2013: Alas, Mr. Tatum, if you had only showed up at the HDRC meeting to plead your case and get a fair hearing, the cuckoo might be perched on your wall instead of caged in my blog.