Postcard from London, England: Women-splaining Guerrillas at the Tate

Above: “How To Enjoy the Battle of the Sexes,” The Guerrilla Girls, London’s Tate Modern

Flash back to 1984 and the International Survey of Recent Paintings and Sculpture at the Museum of Modern Art in New York City.

Women artists did the math: Out of 165 artists, a mere 13 were women. The Guerrilla Girls were born. They picketed MOMA. As “the conscience of the art world,” they’ve been battling gender inequality and racism entrenched in it ever since.

Why masks? The protesters’ anonymity achieved by guerrilla masks puts the spotlight on the issues instead of the individual women artists or their talents.

The Tate Modern currently has a large wall dedicated to Guerrilla Girls’ posters stridently illuminating gender and race gaps throughout the world.

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Postcard from Palermo, Sicily: Are the tales about nudes nunsense?

Above: A portion of Fontana Pretoria, nicknamed Fontana della Vergogna

Officially it’s called Fontana Pretoria, so-named because of its location in the plaza fronting the palazzo that houses City Hall. But its nickname is Fontana della Vergogna, or Fountain of Shame. But shame on whom?

Well, obviously this fountain would be branded as more than shameful, downright pornographic, by some in Florida where a school principal recently was forced to resign after a teacher held up an image of Michelangelo’s “David” as part of a Renaissance art lesson for sixth graders. But art of the Italian Renaissance, even religious art, is not known to be puritanical in nature.

Amongst the theories, spouted off by guides to the huddled groups they shepherd, is that the name first was muttered by offended neighboring nuns, who would slip out onto the plaza under the cover of darkness and apply modest garb to the most exposed statues. Some guides magnify the vigilante efforts undertaken by the Dominican sisters to include amputation of numerous limbs and offensive protrusions. The sisters naturally were upset after they were coerced into giving up a large portion of their property to accommodate the grandiose plaza for the government.

Continue reading “Postcard from Palermo, Sicily: Are the tales about nudes nunsense?”