Tag: contemporary art

Postcard from Guimaraes, Portugal: Bridging cultural divides through art

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A vintage postage stamp from the 1934 Colonial Exhibition in Portugal, depicting a portrait of a woman with a headscarf and traditional attire.

Above: Beaded Bamileke warrior, Cameroon, Central Africa, on exhibit in Jose de Guimaraes International Arts Center.

Linked by invisible threads, the objects seem to talk to each other independently of our presence. An African fetish points to a pre-Columbian vase; a skull imagined by Jose de Guimaraes contrast with a bronze object from ancient China; statuettes speak with paintings without time separating them. As the objects gaze at each other…, it becomes evident that the associated narratives are infinite. The objects ask: ‘How should we live together?'”

Curator notes, Jose de Guimaraes International Arts Center

A carefully curated combination of works by and collected from around the world by artist Jose de Guimaraes (1939-) – 1,128 objects by his count – occupy the sprawling galleries of the first floor of the Jose de Guimaraes International Arts Center.

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Postcard From Madrid, Spain: Bewitched and bedeviled

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Vintage Spanish stamp depicting a witch flying with children, inscribed with 'Quinta Sevilla Goya' and 'Correos Aéreos España'.

Above: Detail of “Allegoric Capricio,” Eugenio Lucas Velazquez (1817-1870), 1852, Lazaro Galdiano Museum.

Vispera de Todos los Santos. The hallowed eve preceding two holy days in the Catholic Church: All Saints’ Day and All Souls’ Day. Or, for the superstitious, La Noche de Brujas, when the witches fly.

Today, it appears Spain has succumbed to the highly contagious American-style celebration of Halloween. With all its horror-film-like bloody mess.

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Postcard from Queretaro, Mexico: Pondering contemporary art scene

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A postage stamp featuring a portrait of a female figure, depicting a nun with a religious emblem, surrounded by books, with the text 'ARTE Y CIENCIA DE MEXICO' and 'AEREO' printed on it.

Above: “Ensenan Mas las Obras…,” Miguel Angel Hernandez Vences, lost-wax bronze, 2025; and “Dibujos en la Piel,” Enrique Hernandez Rivera, oil on canvas, 2025. Among pieces selected for the “MAQRO’s First Biennial of the Human Figure.”

Baroque architecture of the former convent of San Agustin, featuring arched colonnades, intricate stone carvings, and a central fountain, under a blue sky.

Never would we visit Queretaro without ducking in to admire the exquisite Baroque courtyard for the former convent of San Agustin. But there’s more than early 18th-century colonial architecture to experience there.

The rooms surrounding the courtyard are refurbished as galleries of Museo de Arte de Queretaro. This summer those galleries were overflowing with exhibitions showing the vitality of the creative community of the city.

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