Mimmo Paladino, 2006 rooftop installation at MADRE
The 19th-century Palazzo Donnaregina, referred to as “an example of historical stratification,” was purchased in 2005 by the Campania Regional Government for rehabilitation as a contemporary art museum. Much of the work was completed under the guidance of Alvaro Siza Veira, a Portuguese architect. By 2006, two floors of MADRE – Museo d’Arte Contemporanea Donnaregina – opened to the public. Daniel Buren’s brightly colored and illuminated installation in the entryway of MADRE sets the tone for the contemporary contents.
Daniel Buren
Francesco Clemente
“Whisper Only to You,” Yeesookyung
Daniel Buren
Madre
“Whisper Only to You,” Yeesookyung
Francesco Clemente
Francesco Clemente
“Whisper Only to You,” Yeesookyung
“Whisper Only to You,” Yeesookyung
MADRE entrance
MADRE
Daneil Buren
George Brecht
“Whisper Only to You,” Yeesookyung
“Whisper Only to You,” Yeesookyung
“Whisper Only to You,” Yeesookyung
“Whisper Only to You,” Yeesookyung
“Venus of the Rags,” Michelangelo Pistoletto, 1967
“Visible,” Giovanni Anselmo
Mimmo Paladino, 2006
Daniel Buren
Punctuation, Observation, A List. It Was It,” Joseph Kosuth, 1986
Jeff Koons
When we were there this past fall, there was an impressive exhibition of work, “Whisper Only To You,” by a South Korean artist, Yeesookyung. During her residency in Naples, she incorporated pieces of Capodimonte porcelain into the design of her large shapely vessels.
The master potter was trying to create the perfect piece each time, and he would discard even the ones with the slightest flaw. So I chose to create new forms from them, because perhaps, I don’t believe completely in that kind of perfection. To me, a piece of broken ceramic finds another piece, and they come to rely on one another. The cracks between them symbolise the wound.
Yeesookyung, interviewed in The Business Times, 2013
Postcards from Barton Springs 