A musical at the Casino Club with the Wahrmunds has been marked on their calendars for weeks, but Otto is devastated by the events of the day.
Emma cannot even remember the last time the two of them have eaten alone. The couple always has social engagements or is surrounded by members of their extended family, drawn into the couple’s unspoken conspiracy to avoid this very circumstance.
Otto wheels her out to the back veranda. Brilliant orange and rose streaks paint a gorgeous sunset on the west. But the sky in the east is shrouded by the thick, dark smoke continuing to billow over the spot where the roundhouse stood. Otto stands with his hand on her shoulder, staring at that cloud.
Tucked away in a corner of the sixth floor of the Central Library is my favorite haunt there, the Texana and Genealogy Department. The stunning blond entry room named in honor of donors Joan and Herb Kelleher welcomes you into a world where often forgotten tales emerge from yellowed pages of precious books.
Research needs have left me hunched over microfiche readers for hours, distracted by fascinating newspaper headlines unrelated to my original quests. So many people from our colorful history, all with their own stories waiting to resurface. Shelves lined with rare books, rare enough to be unavailable for checkout, beg you to linger longer as the librarian announces it is already 15 minutes until closing time. Digging for clues will have to resume another day.
And yet, behind another door, is a more amazing world to explore – the vault. While materials from the vault can be requested for viewing within Texana, the general public does not simply get to wander through what lies locked within.
pop-up illustration from “Peepshow Pictures: A Novel Picture Book for Children,” 1895, Rosengren Collection
leaf from an Armenian Bible, 1121
leaf from a French Bible, 1240
“Mexican Silhouettes,” Josephina Niggli, 1931
Mrs. Eli Hertzberg’s copy of “Megillat Esther” in Hebrew
“Les Fleurs Animees,” J.J. Grandville, 1847
“Lucinda, The Orphan,”1812
“Indian Tribes of North America,” Thomas L. McKenney, Hertzberg Collection
“Wake Up, America!,” part of Harry Hertzberg’s collection of posters from World War I
1861 letter from Joseph Wood
San Antonio’s original Carnegie Library opened June 15, 1903
“Costumi de Roma e suoi Contorni,” Salvatore Marroni, 1820
“Lucinda, The Orphan,” 1812
“The Alameda,” one of five Hermann Lungwitz paintings of San Antonio from the 1850s, donated by Louis Ulrich
“The Life and Letters of Captain John Brown,” edited by Richard D. Webb, 1861, donated by J.R. Keach
photograph of St. Joseph’s Catholic Church, circa 1892
“La Cocinera Poblana,” Herrero Hermanos Sugesores
“Officers Training Camp: Camp Funston 1917”
“Well-Known Features of Many Creatures,” Emily Harding and E.W. Andrews, donated by Frances Rosengren
These riches all require special care and extremely knowledgeable librarians to assist with access, a budget-stretcher for the Library. The Library Foundation wants your help in preserving the collections in Texana for generations to come.
Hoping for another show-and-tell session in the future, and sure wish the ongoing celebration of the 150th anniversary of the San Antonio Express-News included digitalizing the first century of newspapers for the Library before some of us become microfiche hunchbacks.