Postcard from Bilbao, Spain: Vitoria-Gasteiz showcases contemporary art

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Above: Videostills from Soneto de Alimanas, Naomi Rincon Gallardo, 2022, at Artium

Soneto de Alimanas depicts a group of underground, marginal characters who conspire to celebrate ‘delirious entangled re-existences’ amidst a world subjected to the logics of exploitation. It generates a solidarity of rejected beings who communicate across airwaves and defend their existence and the potential driven by their otherness to resist violence and dispossession.”

Curator’s Notes at Artium

It’s hard not to get shoved into the backseat of the artworld when your city lies in the shadow of Bilbao’s Guggenheim. Vitoria-Gasteiz is forty miles away, yet the ambitious leadership of Alava province saw an empty hole – the opportunity to promote the flourishing contemporary art scene of Basque Country.

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Postcard from London, England: Italian, Philippine, seafood and cheese, please

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Above: All-you-can-eat cheese on conveyor belt at Pick & Cheese Seven Dials

Restaurant listings arranged alphabetically might not prove user-friendly in a city as sprawling as London, but I’m stubbornly persisting in that practice. As in the earlier part one, these are scattered all over the map.

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Postcard from Palermo, Sicily: Gleaming mosaics of Monreale

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Above: Byzantine-style 12th-century mosaics relate Biblical stories inside the Cathedral of Monreale

Tired from a day of hunting in the woods of Monte Caputo above Palermo, King William II (1153-1189), later known as William the Good, lay down under the shady canopy of a carob tree. He was awakened from his nap by a vision of the Virgin Mary, and she requested he build a church on that very spot in her honor.

This meant the tree had to go, but, when it was chopped down, lo and behold, a golden treasure was found amongst the roots. Gold to fund the project. According to legend.

William the Good commissioned a mammoth church and a Benedictine abbey for Monreale. He gifted the church in honor of Santa Maria Nuova, a contributing factor to his reputation as good, forever distinguishing him from his father, referred to as King William the Wicked (1120-1166).

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