Postcard from Bilbao, Spain: Picasso’s sculptures reflect women he loved

Above: Museum-goer interacting with Pablo Picasso’s “Head of a Woman” made from sheet metal

Art is not the application of a canon of beauty but what the instinct and the brain can conceive beyond any canon. When we love a woman we don’t start measuring her limbs.” 

Pablo Picasso

And Pablo Picasso (1881-1973) loved a number of women, many of whom served as temporary muses appearing in his work until his romantic attentions turned elsewhere.

He once famously said, “For me, there are two kinds of women: goddesses and doormats.” Some of his goddesses soon found themselves in the role of doormats.

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Postcard from London, England: Stonehenge to “Pottershire” road trip

Above: Definitive proof that a family of giants, so advanced they had cellphones, built Stonehenge.

According to folklore, Stonehenge was created by Merlin, the wizard of Arthurian legend, who magically transported the massive stones from Ireland, where giants had assembled them. Another legend says invading Danes put the stones up, and another theory says they were the ruins of a Roman temple. Modern-day interpretations are no less colorful: some argue that Stonehenge is a spacecraft landing area for aliens, and even more say it’s a giant fertility symbol in the shape of female genitalia.”

“Stonehenge,” James Allen, National Geographic

Kate, third from the left in this family of giants, arranged a driver for a road trip from London into Wiltshire and Berkshire so we had no difficulty comfortably working the stops below into a day.

Far be it from me to attempt an explanation of the site of Durrington (“The Farm of the Deer People”) Walls Henge, aside from the archaeologists’ conclusions that the Neolithic Bronze Age settlement of Durotiges Celts dates from about 2,500 B.C. In other words, an extremely long, long time before Mel Gibson’s Wallace of Braveheart.

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Postcard from Palermo, Sicily: Byzantine mosaics and Moorish muqarnas

Adam and Eve, 10th-century mosaic in the Palatine Chapel inside the Norman Palace

The Palatine Chapel is the most beautiful in the world, the most surprising religious jewel ever evolved up by the human mind and executed by the hand of an artist…. where the harshness of the Gothic style brought here by the Normans is tempered by the wonderful art of Byzantine ornamentation and decoration.”

Guy de Maupassant, “La Vie Errante,” 1901

The facade of the immense Norman Palace is so cold and boring, I could not bear to take a photo of it. The original stark building was built to serve as the residence of kings installed after the Norman conquest in 1072. But one should never judge a book by its cover….

Proclaimed the King of Sicily by papal bull in 1130, Roger II (1095-1154) had been exposed to the various architectural influences that had ebbed and flowed with invasions of the island for centuries. For the eight-year construction of the royal chapel within the palace, he recycled some rather wild Corinthian columns and tapped both the talents of Moorish builders to craft the honey-combed muqarnas of the vaulted ceilings and Byzantine artists for the exquisitely detailed mosaics of the transept. The mosaics of the nave, a little bit cruder but still stunning, were commissioned from local artisans by William I (1120-1166), known as William the Bad; and William II (1153-1189), known as William the Good.

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