New River Crossing

When the Drury family decided to convert the former Alamo National Bank Building into the Drury Plaza Hotel Riverwalk, there was a problem with the location.  The 24-story building overlooks the river, but it is on the flood channel.  No River Walk passed by its doors. 

So they paid for and built one themselves.  The Drurys transformed the sidewalks skirting the banks of the San Antonio River from a horseshoe shape into a full circle in the heart of downtown.   And in the stretch of River Walk they added, they spared no expense in following the original Robert Hugman concept of making it varied and interesting along the way.

But eliminating those deadends was not enough.  Across the river from the hotel the River Walk came to a halt at Main Plaza.  The Drurys wanted a footbridge to stimulate foot traffic to and from the recently reconfigured Main Plaza.  (We’re not entering the fray about what one preservationist now calls “Maimed Plaza.”)  I suggested Rick Drury install one of those coin-tornado gravity wells like the Witte Museum has but with a sign reading “Wishing I could cross here” – thereby enlisting kids to convince their parents to part with every bit of change in their possession.

But the Drurys decided to forge ahead and remedy the situation themselves.  The extremely chunky main support post stood forlornly in the river for several years awaiting its reason to exist.  Its bulkiness makes it appear as if it was built to withstand a flood, which of course it was. 

Then a stark-looking bridge was installed with yellow tape at each end prohibiting crossing for months on end.  The bridge is a bit shoehorned in, but again, of course, isn’t the entire Paseo del Rio awkwardly confined in a tight and narrow space?  The intimacy created by this is a major part of what makes the River Walk such an incredibly successful urban park.

But finally the aha! moment has arrived.  It is now clearly evident what the Drurys were awaiting – the installation of copper panels designed by Isaac Maxwell Metal, a studio where architect Judith Maxwell carries on the tradition of fine craftsmanship nurtured by her late husband.  Gentle light shimmers through the pierced panels at night.

While the panels seem overly ornate juxtaposed with the heavy support column (remember, though, its flood-channel location), the metalwork theme is already in place a little upstream in the form of punched-pendant lights the Drurys commissioned.  The panels also reference the spectacular original ornamental metalwork and trim filling the hotel’s lobby up to its soaring 50-foot-high ceiling. 

Finally, thanks to the Drurys (Father David blesses you), one can actually circle the full river bend on foot and emerge at the doors of San Fernando Cathedral.  And parents do not have to empty every nickel and dime out of their pockets for children wishing they could cross there.

P.S.  Don’t forget to bail Gayle out of jail!

Note Added on December 2:  The footbridge that Drury built finally will be dedicated on Monday, December 13, at 10 a.m.

‘Faux Bois’ Roots Run Deep in San Antonio

Like remnants of an ancient petrified forest blending in with the urban landscape, San Antonio’s cement artworks, faux bois or trabajo rustico, are cherished landmarks.  The rough “bark” of the old trolley stop near Central Market in Alamo Heights; the covered bridge in Brackenridge Park; and the entrance to the Japanese Tea Garden has been rubbed to a sheen by the exploring hands of generations of San Antonio’s children.

The craft of creating trabajo rustico sculptures could have been lost for San Antonio following the deaths of Dionicio Rodriguez and Maximo Cortes, but fortunately Maximo’s son, Carlos Cortes, inherited both the secret formulas and the talent to continue to add prominent public artwork throughout the city.  Carlos installed a graceful “cypress” bursting through the ceiling in the middle of the San Antonio Children’s Museum; built the Treehouse for the Witte Museum; added a trellis to the River Walk; recently completed the massive Grotto for the river’s Museum Reach; and installed benches in a pocket park.

San Antonio’s connections to the art form of trabajo rustico are explored during an exhibit and related symposium, both part of the celebration of Historic Preservation Month.  The Tradition of Trabajo Rustico:  Fantasies in Cement can be viewed in the Russell Hill Rogers Lecture Hall in the Navarro Campus of the Southwest School of Art and Craft through May 30.

Speakers at the symposium on the morning of Saturday, May 15, include Patsy Pittman Light, author of Capturing Nature:  The Cement Sculpture of Dionicio Rodriguez.  Following a box lunch, there will be a bus tour of some of San Antonio’s faux bois landmarks and a demonstration by Cortes at his studio.

The morning session is admission-free.  The fee for lunch and the afternoon bus tour is $25.  For more information, telephone the San Antonio Conservation Society, 210-224-6163.

January 16, 2013, Update: San Antonio’s faux bois art and artists are featured on KLRN ARTS.

Tell the Ducks to Just Say ‘No’

Hope the public meeting Rah-Wah (the River Walk Watershed Alliance) held at the end of March (March 21 post) produced some innovative approaches to discourage people from feeding ducks along the San Antonio River, because the spring duckling count is on the rise. 

Unable to attend Rah-Wah’s sessions, I thought  I would share my suggestion:  Feed the ducks. 

Every morning, before the ducks are sated from the continual barrage of tortillas and chips restaurant patrons thoughtlessly toss their way, employees from the San Antonio River Authority (SARA) could offer the birds feed laced with a birth control drug.

But SARA is a state agency.  Does that mean its hands are tied when it comes to providing contraceptives?  Is it restricted to promoting abstinence only?

I observed a female mallard this morning trying the just-say-no line:  “No!  No!  No!” (Well, actually it sounded more like “Waaaah!  Waaaah!  Waaah!,” but her meaning was clear.)   She repeatedly quacked her opposition as she frantically tried to escape the crazed Casanova in hot pursuit.  But selective hearing seems to come naturally to male ducks, perhaps because, as far as I can tell, they have no external ears.  They also have no fear the long arm of the law will grab them from the river to sentence them to life imprisonment without parole or a hot seat in Texas’ continually occupied electric chair.

Call the Governor or the State Board of Education for suggestions.  They are bound to know a lot about abstinence education.  After all, Texas spends $17 million annually promoting virginity in our schools.  Surely a fiscal conservative like Rick Perry would not be flushing that kind of money down the toilet.

On the other hand, Steve Blow of the Dallas Morning News observed:

Texas spends more on abstinence-only sex education than any other state – and has more teen sex than any other state.

I’d say that’s a situation worth discussing.

Texas spent $17 million last year on its just-say-no approach.  Meanwhile, federal studies reported that 52.9 percent of Texas high school students have had sex, compared with 47.8 percent nationally.

Oh well.  As I wrote at the beginning of this post, hope some great ideas emerged during the meetings or the quantity of duck poop in this watershed promises to multiply.

Update Added on March 23, 2011: River’s getting cleaner. Swimming in the future?