Postcard from London, England: Nosing around homes from an earlier century

A decorative postage stamp designed by William Morris, featuring colorful floral patterns, including red and pink flowers, against a dark background, with the inscription 'William Morris 1884' and a crown symbol.

Above: Dome crowning the former architectural office of Sir John Soane

The idea was that we all learn from our mistakes so that in the end, over the years, we get perfection of architecture.”

Sir John Soane

The handsome dome with small mirrors magnifying natural light seems ideal for illuminating an office in the early 1800s. But many visitors to the museum that once served as the home and office of Sir John Soane (1753-1837) might question his interior decorating skills. I’m not one.

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Postcard from Madrid, Spain: Mentioning a few more museums

A month in Madrid, and we never ran out of museums. Doing a round-up of a few remaining ones so you can see how inexhaustible the supply.

El Museo del Romanticismo is one of several house museums positioning art and collections as though the owners still were present. A glimpse into gender expectations was provided in the toy room: a display case of toy soldiers for boys, a dollhouse full of nuns for girls.

The ballroom of Museo Cerralbo is over the top even for extravagant residences of the 19th century.

A glimpse into an artist’s life and work is provided in the Museo Sorolla. Joaquin Sorolla y Bastida (1863-1923) preferred to paint his subjects en plein air, trying to capture sunlight instead of artificial light.

Oh, and then there are Goya’s ceiling frescoes and his tomb in San Antonio de la Florida….

And a large collection of art resides in the Museum of the Royal Academy of Fine Arts of San Fernando, or Bellas Artes, because one reason Spain has produced such great artists is the country offered them support. Velazquez painted the royals; Picasso and Dali studied at the academy; and Goya was a director of the Bellas Artes. No photographs were allowed here, but the museum’s labels clearly indicate the politics of art. A Napoleonic tradition of systematically looting art was in play. Many of the pieces hanging on the walls of Bellas Artes are listed as having been retrieved from France after the final eviction of Joseph Bonaparte and the restoration of Ferdinand VII’s rule in the early 1800s.