Postcard from Bordeaux, France: And the artist went out screaming…

Above: “There are other worlds but they are in this one,” surrealist poet Paul Eluard, 1895-1952, artist Dora Garcia, 2018

The substantial 1824 brick building, Entrepot Laine, that houses Bordeaux’s Contemporary Art Museum originally was designed as a warehouse for produce shipped in from French colonies. Neglected on a wharf on the Garonne on the edge of the Chartrons District, it was purchased by the city in 1974 and repurposed to showcase French and international works of contemporary art.

When we were there the nave of the museum was dedicated to “Absalon Absalon,” an exhibition continuing through February 1 that showcases the interrupted work of Meir Eshel (1964-1993). After a stint in the Israeli military service, Eschel moved to Paris in 1987 and enrolled in a workshop in the Ecole Nationale Superiure des Beaux Arts. He changed his name to Absalon, a rebellious son featured in the Old Testament. The biblical figure of Absalon was vanquished and murdered, forever associated with the idea of revolt ending in tragedy.

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