Postcard from San Miguel: Hoping for miracles

Prayers for miraculous interventions in Mexico often are accompanied by physical demonstrations of the faith behind them – silver milagros, votive candles, written notes, photographs of loved ones – as though the saints above need reminders lest they forget the requests.

Statues of St. Jude Thaddeus attract desperate pleas for hopeless or lost causes, of which there seem to be no shortage of loved ones fitting in this category. But the ones hitting the hardest are photos of children and toys left with prayers to El Nino. The Mister first pointed this out to me decades ago in Guanajuato, as I watched a Chiclet-selling boy longingly eying the toys locked inside a glass case with a statue of El Nino.

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The churches in San Miguel de Allende are filled with similar offerings. These photographs are from the Church of Immaculate Conception, or Las Monjas, in San Miguel de Allende.

Construction of the convent was begun in 1755, funded by Maria Josefa de la Canal as a monumental demonstration of her faith. The crowning dome, inspired by Les Invalides in Paris, was not added until the late 1800s.

Postcard from San Miguel: Things work differently here…

Need a water tank removed from a rooftop?

Hey, we don’t need no stinking crane.

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Just need a couple of guys with strong backs, some long pieces of wood nailed together on the spot and some rope…

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…Lots of rope because some of it tends to break as the tank is lowered.

No need to block off the street, because who would pass under a couple of boards nailed together on the spot, supporting a heavy tank suspended by a couple of men with strong backs holding onto the ropes – some of which did not break as the tank was lowered?

Only about a dozen or so pedestrians, one couple on a scooter and one bicyclist.

Hey, it was in the sheltering shadow of the Parrochia, surely offering its blessed protection.

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All’s well that end’s well.

Things work differently here.

 

Postcard from San Miguel de Allende: Sun rises again at La Aurora

“Holy Wedding,” watercolor by Kelley Vandiver

More than 300 workers lost their livelihoods when the giant mechanical looms quit spinning cotton at Fabrica la Aurora in 1991. After 90 years, the massive mill stood silent.

Twenty years later, artists began to breathe new life into the abandoned structures as developers reopened one after another to create a vibrant center of art and design. The studios of working artists, art galleries, antique stores, restaurants and cafes now number more than 40, meaning meandering through the campus can take several hours.

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Naturally, my favorite space belongs to artist Kelley Vandiver because every painting tells a story – the kind I call “saintly stories nuns never told me.” And Vandiver splices wonderful iconography into the tales he weaves.

Why live in Mexico? Vandiver’s answer:

This is a beautiful country that embraces the insane and the artistic with open arms.