Postcard from Bologna, Italy: Basilica of San Francesco

A visit by Saint Francis of Assisi to Bologna in 1222 sparked interest in building a major church for the Franciscans serving the city. The Gothic Basilica of San Francesco was completed in 1263.

Enhancements added later include a Venetian marble altar sculpted by Jacobello and Pier Pabla dalle Masegne.

Pope Alexander V (1339-1410), one of the “antipopes” reigning during the time of the schism resulting in competing popes ruling from Avignon, is entombed here. He died unexpectedly one night in Bologna while in the sole company of one of his cardinals. The cardinal was elevated to become Pope John XXIII (1370-1419), leaving a cloud of suspicion lingering in the minds of some.

Aside from a few takeovers for usage as military barracks or weapons storage, including the French in 1796 and an Italian war in 1842, the church has remained under the auspices of the Franciscans since then.

Postcard from Bologna, Italy: Distracting details demanding attention everywhere you glance

Roaming Bologna at a fast pace seemed impossible – so many things demand attention.

Postcards from last summer demand attention even as I launch a new trip. One of the things I wanted to bring home was the leaf design for downtown tree grates.

Postcard from Bologna, Italy: Trying to untangle a towering perspective challenge

Went to a talk this weekend in San Antonio at Blue Star Contemporary given by photographer Robert Langham, III, whose works are featured in “Hold Still.” The topic was “How to revolutionize your camera work,” and that was what I wanted to do. In one easy lesson, of course.

Langham focused on six things critical to photographic composition. He explained these clearly. But, as my version was 30 minutes instead of the full semester version of his course, I’m not sure he managed to truly revolutionize my awkward efforts to capture our travels.

But, attempting to apply the critical points from the lecture, I returned to the photos we took of the two most famous towers in Bologna. Bear in mind, these images are all of the same two towers. Which one should make it to the blog? Should the church behind be visible? Do we need to people the photo for perspective? Should signage be there to emphasize the contemporary urban intrusions?

The most straightforward shot of the taller of the two, Torre degli Asinelli, surely was taken by the Mister. I have issues with straightforward framing of my subjects because I don’t seem to look at things squarely. I want to stand at the bottom of a tower and capture the dizzying height I see when looking upward. That angled perspective rarely works for others.

Of course, this pair of medieval towers makes that even more of a challenge because they themselves do not stand up straight. They lean, possibly even more than their cousin in Pisa.

The Asinelli Tower soars 330 feet upward, and visitors still can climb up its claustrophobic stairwell to enjoy views of Bologna. I stayed with feet planted firmly at street level. The Garisenda Tower tilts more than twice as much as its taller neighbor. This shorter tower – 167 feet – used to be the taller of the two, but it was decapitated back in the 14th century for obvious safety reasons.

From a perspective point of view as captured by our camera, it’s hard to believe these photos are all of the same two towers. The Mister actually managed to take a photo showing both that makes them look as though they both still stand perfectly upright – correcting centuries of sinking.

I think I need the full semester version to even begin to attempt to understand the photographic challenges presented by these two towers.

View some of Langham’s fine black and white images for his current project, “100 Tylerites,” on his blog. Wonderful lessons in portraiture.