Category: Festivals of San Antonio

Cinematic Overload Ahead

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poster designed by Rigoberto Luna

An admission-free screening of films on Main Plaza from 8 to 10 p.m. on Saturday, June 19, will launch the 16th annual San Antonio Film Festival.    

The first of seven films of varying length to be shown on the outdoor screen that night is “Recuerdo,” the second video piece by San Antonio artist Vincent Valdez.  Produced by the Federal Art Project and the Southwest School of Art and Craft with production supervision by Luis Guizar, the work consists of a San Antonio cityscape and portraits of San Antonians from various backgrounds.  

The film festival will continue from June 23 to 27 at Instituto Cultural de México in HemisFair Park , showcasing independent filmmakers and featuring more than 120 films on three screens over the five-day span.   The offerings come from all over the map and include all types of films.  Tickets range from $10 to a $69 package.  

Running less than two minutes, Yoni Goodman’s Closed Zone is among the shortest of the shorts.  

Having spent much time recently with Lynnell Burkett discussing commas (actually the common colon proved our most challenging deviation about punctuation) as we try to get Last Farm Standing on Buttermilk Hill to press, I was drawn to Ken Kimmelman’s animated film, Thomas Comma.   Based on a story by poet Martha Baird, the film is the adventure of a lonely comma, drawn by hand and then “painted” on computer.  According to Baird:  

We’re all of us like commas looking for the right sentence.  

‘More Flags. More Fun.’

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But in whatever language, why should Cinco de Mayo matter to Texans?

That is the question posed to numerous children by reporter Vianna Davila in the San Antonio Express-News. 

Here is my answer.  If the neighboring Mexican Army under the command of General Ignacio Zaragoza had not defeated the French at the Battle of Puebla in 1862, undermining the power of the French-installed emperor, Maximilian (read C.M. Mayo‘s The Last Prince), who knows what flag might have ended up flying over Texas?  Perhaps, the ambitious Emperor Napoleon III might have used Mexico as a stepping stone to seize major portions of the United States, vulnerable and weak following years of civil war.

In Texas, the collective historical memory is selective.  Six (or more according to some historians) flags should mean more than a theme park.  And the American flag has only flown over this state half as long as those of Spain and Mexico. 

And at least this is not Arizona, whose “free to be” “brand essence” tourism campaign now rings hollow.  Below is cartoonist Steve Benson’s Cinco de Mayo greeting from The Arizona Republic.

The rich cultural mix in San Antonio makes this a great place to live.  As the Six Flags website says:  “More flags.  More fun.”

Note added on July 13:  C.M. Mayo now has a second blog for those seriously researching the “French Intervention” in Mexico and also provides podcasts online of some of her presentations on both her writing and writing in general. 

When I went to link to her new blog, came across an entry about Don Miles’ Cinco de Mayo.  The post also contains the news that Austin already is planning a four-day celebration of the 150th anniversary of the Battle of Pueblo, including a reenactment of the battle itself, for May 2012.   Will San Antonio sit back and be upstaged?

Preserving the Art of ‘Papel Picado’

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The American translation I grew up with is hardly picturesque – brightly colored plastic triangles strung along roadways, noisily flapping in the breeze in vain attempts to motivate you to “stop here for gas” or “trade in your car today.”  But, as with many humble or utilitarian objects in Mexico, banners were elevated to a form of art and signified celebrations important to the community.  Papel picado, or punched paper, artists use hammer and chisel to punch designs out of stacks of up to 40 layers of tissue at a time.

As part of the San Antonio Conservation Society’s celebration of Historic Preservation Month, a display of papel picado, or punched paper, by artist Kathleen Trenchard is on exhibit in the Visitors Center of The Steves Homestead.  While her work includes traditional papel picado banners, Kathleen’s contemporary interpretation of the art form includes portraits, buildings and major public art installations – at the AT&T Center, the South Texas Blood and Tissue Center and the Grand Hyatt Hotel.  Kathleen also designed the official Fiesta pin for the Conservation Society’s major fundraiser, A Night in Old San Antonio, or NIOSA.

The legendary printmaker and satirical cartoonist Jose Guadalupe Posada (1852-1913) created his oft-reproduced “La Calavera Catrina” to satirize the lifestyle of the upper class in Mexico in the late 1800s.  In one of the works on exhibit at the Steves’ Visitors Center, Kathleen crafts a skeletal “self-portrait” as a dancing partner of La Catrina.  

“Portraits” of architectural landmarks featured in the exhibit include the Bexar County Courthouse, the Japanese Tea Garden, the silos at Blue Star and the Pig Stand.  The one must suitable for the cause of preservation follows the satirical style of Posada:  “Demolition:  1123 Brooklyn.”

This 1895 etching shows Jose Guadalupe Posada’s original vision for “La Calavera Catrina.”
Kathleen Trenchard pairs her “papel picado” self-portrait in a dance with “La Catrina.”
“Demolition” mourns the passing of one of San Antonio’s historical assets, this one at 1123 Brooklyn.
“The Landmark Pig Stand”
“Silos at Blue Star on the River”
Kathleen Trenchard’s contribution to ArtPace’s Chalk-It-Up.

In recognition of her artistic perpetuation of this form of Mexican folk art, the Conservation Society will bestow its Lynn Ford Craftsman Award upon Kathleen at its Historic Preservation Awards Dinner on Friday, May 14.  The Conservation Society established the award in 1978 in honor of Lynn Ford, a craftsman, cabinetmaker, builder and teacher.

Preserving the Art of Papel Picado will be on display at the Visitors Center located behind The Edward Steves Homestead and House Museum, 509 King William Street, through June.  The Visitors Center and Museum are open daily, but hours vary depending on scheduled tours.  For more information, telephone 210.225.5924.

Tickets for the Conservation Society’s Awards Dinner are $75 for individuals or $600 for a table of eight.  For reservations, telephone 210.224.6163.  To find out information about other Preservation Month activities, visit www.saconservation.org.

So what could the “prodigious poster” learn from a form of art where what is eliminated paints the picture?  Cut.

Added on May 3:  Great article on the area of Puebla known for papel amate