Seriously. We walked on the river yesterday morning into downtown, along the River Extension, into the Convention Center Lagoon with its stunning 1968 mosaic murals by Juan O’Gorman and Carlos Merida and then turned left into the actual Convention Center itself.

A convention center seems an unlikely destination for locals, but we wanted to explore the City of San Antonio’s exhibition combining some things old and many new works in celebration of our Tricentennial, “Confluence: Art in the Convention Center.”

We wandered around the myriad of halls and multiple levels of the expansive center on a scavenger hunt for art, a hunt enhanced by the fact we had no clues where we would find the pieces. This added an entertaining touch of serendipity to our quest, but the Department of Arts & Culture does have a cheat sheet online locating the artworks for those who prefer to spend less time lost in the amazing maze of meeting spaces.

“Confluence of Civilizations,” Carlos Merida, 1968, glass tile mosaic

“Confluence of Civilizations,” Juan O’Gorman, 1968, detail of stone mosaic

“The Earth Mother of the Americas,” Veronica Castillo Hernandez, 2017, ceramic sculpture

“Confluence of Civilizations,” Juan O’Gorman, 1968, detail of stone mosaic

“Mi Vida,” Jesse Trevino, 1972, cut from the wall of his former bedroom

“Si la Tierra Pudiera Hablar (If the Earth Could Speak),” Jenelle Esparza, 2017, archival print on wallpaper

“Confluence of Civilizations,” Juan O’Gorman, 1968, detail of stone mosaic

“Paso de la Muerta,” Rick Hunter, 2010, digital print on aluminum

“Season of Color,” Naomi Wanjiku, 2014, textured and dyed sheet metal

“The Glorious Saga of Spain,” Margaret Putnam, 1968, oil

from exhibition commemorating 50th anniversary of HemisFair ’68

“Confluence of Civilizations,” Carlos Merida, 1968, detail of glass tile mosaic

“Liquid Crystal,” Jason Bruges Studio, 2016

“Humanscape 118 (Texas Fantasy),” Mel Casas, 1962, acrylic

“The Best of the Eastside,” Jacinto Guevara, 2001, acrylic on panel

from exhibition commemorating 50th anniversary of HemisFair ’68

“Humanscape 117 (Texano),” Mel Casas, 1962, acrylic

“Desert Landscape,” Angel Rodriguez-Diaz, 2014, digital print

“Confluence of Civilizations,” Juan O’Gorman, 1968, stone mosaic

carpet

“Confluence of Civilizations,” Carlos Merida, 1968, detail of glass tile mosaic

“Reunion,” Angel Rodriguez-Diaz, 2008, oil and acrylic

“Confluence of Civilizations,” Juan O’Gorman, 1968, detail of stone mosaic

“The Story of Civilization,” Gary Sweeney, 2003, mixed media, found signs

“Autumn in West Texas,” Porfirio Salinas, 1957, oil

“In Real Life,” Kelly O’Connor, 2015, digital print on vinyl

“Forgive Me Pretty Darlin’,” Ricky Armendariz, 2017, oil on carved plywood

While we went for the art, the architectural design of the center itself, reconfigured in 2017 to eliminate its dated frumpiness, is worth meandering through. MarmonMok has created an award-winning facility that gives San Antonians one more reason to be proud to call this home.

Let me know if you spot Ken Little’s cast-iron pair of shoes, “Victory and Defeat.” We missed them completely. We saw Little last night fronting Rodeo Ho Ho at the Liberty Bar, and he said he was not sure he could find his way back to them either. He did offer a clue; they are parked in front of a window.