Above, plate by Rafael Jimenez on exhibit in “Ceramica de la Familia Jimenez” at Centro Cultura San Pablo
Opening his own workshop in Oaxaca in 1925, Ignacio Jimenez soon realized that the talavera technique he had learned for applying paint did not work with the finer clay he desired using. Seeking a solution, he developed a new method for adding decorative designs and color to clay – ceramica escurrida, best translated as “drained” ceramics.
The skills he perfected were passed on to his wife and children, and his distinctive style continues to flourish as the Taller de Ceramica de la Familia Jimenez. His children employ the technique to create traditional patterns as well as their own more contemporary artistic designs.
Continue reading “Postcard from Oaxaca, Mexico: Ceramics, film posters and photographs fill former convent”
