Tag: paris

Postcard from Europe: Home’s where the boat floats

postcardsfromsanantonio2 Comments
Colorful stamp depicting boats on water, with artistic brush strokes and a sunny backdrop.

Above: Houseboats docked along a London canal

Tensions have been rising between the managers of Britain’s canals, others who use them, and the nomadic narrowboaters, revered by some as bohemian travelers and disdained by others as maritime squatters.”

“Britain’s Canalboat Nomads Fear New Rules Will Sink Their Way of Life,” Steve Hendrix, The Washington Post, August 29. 2025

I had seen canalboats before, yet London was the first place I became fascinated with the lifestyle of those who operated them. Clueless as to how the system worked.

Now I know, there are boats with permanent berths, and then there are “travelers,” wanderers required to shove off after two weeks in one spot. Many of these are not short-term vacationers but long-term residents who rove about the canals tying up their houses fortnightly.

Continue reading “Postcard from Europe: Home’s where the boat floats” →

Postcard from Paris, France: Purging art to ‘cleanse’ culture

postcardsfromsanantonio3 Comments
French stamp depicting a figure being restrained by two soldiers, symbolizing resistance.

Above: “The Pinch of Snuff (Rabbi),” Marc Chagall (1887-1985), mid-1920s

This painting, in which a rabbi sells his soul to Satan for a pinch of tobacco, was acquired by the Mannheim Kunsthalle in 1928. In 1933, Mannheim became the scene of an intense campaign of purge and defamation of modern art orchestrated by the Nazis…. the painting was dragged through the streets of the city with the message: ‘You who pay taxes should know where your money is being spent.'”

“‘Degenerate’ Art: Modern Art on Trial under the Nazis,” Curator Notes, Musee Picasso Paris, 2025

One evening at the end of May, we were fortunate to slip into a last remaining timeslot for viewing “‘Degenerate’ Art: Modern Art on Trial under the Nazis” at Musee Picasso Paris. It was packed with procrastinators, rendering the air-conditioning incapable of keeping the day’s lingering heat at bay. Yet, we all found ourselves crowding close to the artwork in an attempt to devour every word of the informative curator notes.

Most of the featured art had been included in a major exhibition of 600 works mounted by the Nazi regime in Munich in 1937. The purpose of this was not to shine light on exemplary art; instead, it was designed to condemn entartete kunst, or degenerate art, and the evil artists who spawned it.

Continue reading “Postcard from Paris, France: Purging art to ‘cleanse’ culture” →

Postcard from Zaragoza, Spain: Renaissance landmark rescued from Paris

postcardsfromsanantonioLeave a comment

Above: Contemporary painting depicting Patio de la Infante (by Jacqueline Treloar?)

“Courtyard of the Princess,” F.J. Parceriso, lithograph, circa 1850

On the edge of the former Jewish Quarter in Zaragoza, Micer Gabriel Zaporta (abt 1500-1580) built an 18,000-square-foot house in 1549 in honor of his second wife. Zaporta himself was born into a Jewish family whose members converted to Catholicism in compliance with the Edicts of 1492 and enforced by the Inquisition. The elegant house built around a central courtyard with elaborate Italianate ornamentation reflected Zaporta’s success as a merchant and a banker who served as treasurer to King Charles I of Spain (1500-1558).

Continue reading “Postcard from Zaragoza, Spain: Renaissance landmark rescued from Paris” →