Postcard from London, England: Women-splaining Guerrillas at the Tate

Above: “How To Enjoy the Battle of the Sexes,” The Guerrilla Girls, London’s Tate Modern

Flash back to 1984 and the International Survey of Recent Paintings and Sculpture at the Museum of Modern Art in New York City.

Women artists did the math: Out of 165 artists, a mere 13 were women. The Guerrilla Girls were born. They picketed MOMA. As “the conscience of the art world,” they’ve been battling gender inequality and racism entrenched in it ever since.

Why masks? The protesters’ anonymity achieved by guerrilla masks puts the spotlight on the issues instead of the individual women artists or their talents.

The Tate Modern currently has a large wall dedicated to Guerrilla Girls’ posters stridently illuminating gender and race gaps throughout the world.

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Postcard from Frankfurt, Germany: Belated greetings via Trockel’s art

Above: “Living Means Learning to Appreciate Your Mother Nude,”* Rosemarie Trockel, photograph pasted onto a three-dimensional scene, 2001

A young woman lies on the floor absorbed in viewing a group of slides. She looks relaxed, her ankles are crossed, and she is wearing only underwear and a sweater. So domestic and secure does the scene seem, that catching sight of the woman like this seems strangely voyeuristic…. the photograph of the young woman seems to come alive in the mind’s eye…. one’s own life…is rooted in the sexuality of another human being.*

“Rosemarie Trockel,” Museum fur Moderne Kunst (MMK) catalogue for retrospective exhibition of the artist’s work from the 1970s through 2022

Happy Mother’s Day? (Or perhaps the title of the artwork above does not automatically qualify it as appropriate for the day?)

Wandering through Frankfurt’s modern art museum, MMK, I kept finding myself checking and checking the labels. Could these really all be created by the same artist? Yes.

Continue reading “Postcard from Frankfurt, Germany: Belated greetings via Trockel’s art”