Postcard from Oviedo, Spain: A few pieces from Museo de Bellas Artes

Above: “Saint Ursula and the 11,000 Virgins,” Pieter Claeissens, 1560

Pieter Claeissens’s painting hanging in Museo de Bellas Artes de Asturias attracted my attention because of my unfamiliarity with Saint Ursula. According to legend, 11,000 handmaidens of Princess Ursula set sail with her from southern England on a journey to marry the pagan to whom her father had betrothed her. The ship was blown off course, so Ursula and her entourage decided on an extended pilgrimage to Italy first. Huns had taken over Cologne by the time they finally arrived there, and, for some reason, the Huns failed to appreciate having all those virgins in their midst and slaughtered them.

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Postcard from Budapest, Hungary: A peak at treasures inside the Art Nouveau jewelbox

Transferring some antiques from the Hungarian National Museum, the Hungarian Parliament founded the Museum of Applied Arts in 1872 in recognition of the importance of decorative arts and design. Acquisitions increased with purchases at major world fairs, including those in Vienna in 1873 and Paris in 1878 and 1889, and gifts from Herend Porcelain Manufactory, Zolsnay, which has been producing luxury hand-painted and gilded porcelain for close to 200 years.

With the growth of the museum’s collection, a new building (see prior post) was required. The grand opening of the Art Nouveau palace in 1896 was attended by Emperor Franz Josef.

War and political changes contributed to the treasures held by the museum from the 1940s to 1960s as items were “rescued” from large houses and palaces by the Ministerial Commission for Endangered Private Collections. The Soviet takeover in 1948 led to the nationalization of numerous independent collections.

Parts of the museum were closed off when we were there this spring, as the building is being both restored and expanded following an international design competition. Renderings of the new wing can be viewed by clicking here.