Postcard from Guimaraes, Portugal: Bridging cultural divides through art

A vintage postage stamp from the 1934 Colonial Exhibition in Portugal, depicting a portrait of a woman with a headscarf and traditional attire.

Above: Beaded Bamileke warrior, Cameroon, Central Africa, on exhibit in Jose de Guimaraes International Arts Center.

Linked by invisible threads, the objects seem to talk to each other independently of our presence. An African fetish points to a pre-Columbian vase; a skull imagined by Jose de Guimaraes contrast with a bronze object from ancient China; statuettes speak with paintings without time separating them. As the objects gaze at each other…, it becomes evident that the associated narratives are infinite. The objects ask: ‘How should we live together?'”

Curator notes, Jose de Guimaraes International Arts Center

A carefully curated combination of works by and collected from around the world by artist Jose de Guimaraes (1939-) – 1,128 objects by his count – occupy the sprawling galleries of the first floor of the Jose de Guimaraes International Arts Center.

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Postcards from Amsterdam, Netherlands: ‘Stories that Matter’ told by the brave

Above: Names of journalists and photographers killed in the line of duty memorialized at the opening exhibition of the World Press Photo 2024 Awards in the Nieuwe Kerk Amsterdam

In the two decades since 2003, at least 1,668 journalists have lost their lives while trying to shed light on issues of importance to us all, according to Reporters without Borders. In 2023, another 45 names were added to that list. The list prominently displayed in Amsterdam’s New Cathedral for the opening of the World Press Photo 2024 Awards must have hit the photographers hard – names of coworkers and friends they have made while covering stories in danger zones throughout the world.

The Nieuwe Kerk is hardly “new,” having been consecrated in 1409. While the “Royal Church” is still used for royal weddings and coronations, it also serves as a venue for important exhibitions, such as this one. With its soaring vaulted ceiling, floors embedded with tombs and cherubs overlooking all, the dramatic setting emphasized the seriousness of the meaningful topics delved into by the award-winning photographers.

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Postcard from London, England: Art restores power to the station

 Above: “Life in His Mouth, Death Cradles Her Arm,” Naufus Ramírez-Figueroa, 2016. Photo grab from video.

St. Paul’s Cathedral

Architectural Challenge Number One, 1940s: Design an industrial complex on a site directly across the Thames from one of London’s most cherished landmarks – Saint Paul’s Cathedral. Sir Giles Gilbert Scott (1880-1960) was an accomplished architect by the time he was tapped to tackle the Bankside Power Station. Unlike his earlier two-chimneyed Battersea Power Station, Bankside featured a single soaring chimney front and center, prompting some to refer to it as the cathedral of industry.

Architectural Challenge Number 2, 1990s: Convert a massive decommissioned power station into a frame for modern art. An international competition attracted 168 submissions, with the Swiss architectural firm of Herzog & de Meuron selected for the adaptive reuse project. The firm’s respect for and desire to preserve the external features of the brick power station impressed the selection committee of the Tate Modern.

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