Postcard from London, England: From conquer-phobia furniture to man-skirts

Above: Interior of The Design Museum

A basement space in the Victoria & Albert Museum was the first home to Boilerhouse, a showcase for modern design that outgrew that space and another subsequent one before transforming the 1960s Commonwealth Institute into today’s The Design Museum on Kensington High Street. The most striking feature of the post-war modernism landmark originally designed by RMJM is its tent-like parabolic copper roof. The dramatic interior rehabilitation of it was completed in 2018 under the direction of John Pawson.

Exhibitions change, but I’m going to mention two. The first is “Antifurniture,” handsome wooden sculpture designed by performance artist Fyodor Pavolov-Andreevich and BoND Architecture to engage interaction, to invite one to “inhabit” the works. By “one,” I definitely mean someone other than me. Among the phobias the artist strives to help combat are agoraphobia, atychiphobia, demophobia, gelotophobia, acrophobia and basophobia.

Sometimes when we feel overwhelmed we may ignore the problem before us and metaphorically ‘bury our heads in the sand.’ This reaction can cause anxiety and encourage us to avoid the problem; Rock-n’-Desk, however, invites you to confront it.”

Fyodor Pavlov-Andreevich
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Postcard from Bilbao, Spain: All Hallows’ Eve

Store displays gave us advance warning American Halloween traditions had bridged the ocean to invade Europe.

Spain’s vulnerability is enhanced by the fact that Halloween is the eve of a national holiday – Dia de Todos los Santos, or All Saints’ Day. While not a full-scale conquest yet, Bilbao appears on the cusp of adopting costumes.

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Postcard from London, England: Fashion fusion

Above left: 19th-century Indian fine muslin dress embroidered with silk, silver and gold thread, Victoria & Albert Museum South Kensington. Above right: Lampshade skirt, Mary Katrantzou, 2011, The Design Museum.

Visiting numerous museums in a row, it’s impossible for me not to compare what might seem as incongruous exhibits. A portion of “Rebel: Thirty Years of London Fashion” at The Design Museum struck me as almost consciously mimicking the Asian fashion display in the Victoria & Albert Museum combining robes and fabrics.

Thirty years represents an anniversary celebration of the British Fashion Council NEWGEN program offering young designers an opportunity to expose their creativity to a wide audience. With a fresh M.A. in Fashion degree, Lee Alexander McQueen (1969-2010) was in that first group of beneficiaries.

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