Postcard from London, England: Fashion foot forward

Above left: Hedgehog at the feet of an entombed noble, Westminster Abbey. Above right: Butterfly-wing sandals, Sophia Webster, “Rebel: Thirty Years of London Fashion,” The Design Museum

One might assume I have a foot fetish, as once again I focus on what’s found underfoot of effigies atop monumental tombs of the rich and powerful who occupy prime real estate in churches in Europe. Prior to this, most guardians of the feet we encountered were dogs – beloved lapdogs or prized hunting hounds to offer comfort and protection for the dead.

But the fashion for many of those buried in Westminster Abbey is sculpted to emphasize distinction and convey rank and power. Kings and queens incline toward lions. The regal Scottish red lion posted by Mary Queen of Scots appears assigned to make sure no one attempts to peep up her numerous layers of petticoats.

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Postcard from Morelia, Mexico: Foreign beliefs transform both faith and art

My spirit that is upon you,” Isaiah 59 verse 21, translation of one of the Latin phrases floating around the canvas of “El Obispo Juan de Palafox y Mendoza” by Miguel Cabrera

As in Europe, art served as a primary tool for friars to introduce the mysteries of Catholicism to those of other beliefs. Consequently, religious paintings from that period form the core of the collection of Museo de Arte Colonial. The works are displayed in a house of the Colonial period which was renovated in 1984.

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Postcard from London, England: Women-splaining Guerrillas at the Tate

Above: “How To Enjoy the Battle of the Sexes,” The Guerrilla Girls, London’s Tate Modern

Flash back to 1984 and the International Survey of Recent Paintings and Sculpture at the Museum of Modern Art in New York City.

Women artists did the math: Out of 165 artists, a mere 13 were women. The Guerrilla Girls were born. They picketed MOMA. As “the conscience of the art world,” they’ve been battling gender inequality and racism entrenched in it ever since.

Why masks? The protesters’ anonymity achieved by guerrilla masks puts the spotlight on the issues instead of the individual women artists or their talents.

The Tate Modern currently has a large wall dedicated to Guerrilla Girls’ posters stridently illuminating gender and race gaps throughout the world.

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