Postcard from Amsterdam, Netherlands: Making room at the table

Above: House of Vineyard exhibition reacted and related to historic artifacts in the Abraham and Louisa Willet-Holthuysen House Museum.

Historically, the voices and experiences of Black and Brown femme queens have often been marginalized. But their resilience, courage, and unyielding spirit have paved the way for progress both off and on the runway…. In the dining room, we honor five queens who not only fought for a seat at the table, but created their own.”

House of Vineyard curator notes for temporary contemporary art exhibition

Keeping a house museum fresh, appealing and relevant to diverse audiences is extremely difficult, speaking as someone who had chaired a committee running one. I wish my visit to the Abraham and Louisa Willet-Holthuysen House Museum, a house built on the Herengracht Canal in 1685, had been years earlier.

Instead of keeping its collection static, the house museum stimulates repeat visitation by weaving thoughtfully curated contemporary art throughout its rooms. Often times, house museums are filled with gray-hairs, but not everyone there had our same color hair. The House of Vineyard’s “Grand March: A Historic House through a Ballroom Lens” attracted a diverse, youthful group. And it worked. All ages appeared interested in both the old and the new.

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Postcard from Amsterdam, Netherlands: Hals’ hands won me over

Above: A detail blown up from a painting by Frans Hals (1582-1666) stopped you in your tracks as you approached a retrospective exhibition of his works at Rijksmuseum.

Well, not only his hands, also what they hold. And the detailed footwear, lace, sleeves and ruffles. The subtle smiles and difference in his subjects’ eyes capturing individual personalities despite the similarities of fashion.

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Postcards from Amsterdam, Netherlands: ‘Stories that Matter’ told by the brave

Above: Names of journalists and photographers killed in the line of duty memorialized at the opening exhibition of the World Press Photo 2024 Awards in the Nieuwe Kerk Amsterdam

In the two decades since 2003, at least 1,668 journalists have lost their lives while trying to shed light on issues of importance to us all, according to Reporters without Borders. In 2023, another 45 names were added to that list. The list prominently displayed in Amsterdam’s New Cathedral for the opening of the World Press Photo 2024 Awards must have hit the photographers hard – names of coworkers and friends they have made while covering stories in danger zones throughout the world.

The Nieuwe Kerk is hardly “new,” having been consecrated in 1409. While the “Royal Church” is still used for royal weddings and coronations, it also serves as a venue for important exhibitions, such as this one. With its soaring vaulted ceiling, floors embedded with tombs and cherubs overlooking all, the dramatic setting emphasized the seriousness of the meaningful topics delved into by the award-winning photographers.

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