Category: Mexico

Postcard from San Agustin Etla, Oaxaca, Mexico: Former factory rehabilitated as center for the arts

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As someone who grew up going to school in one of those flat-roofed, aqua-paneled elementary schools built in an aesthetically-impaired period of the 1950s, bumping into architectural gems in rural Mexico is always amazing to me. Isolated from its surrounding landscape and thrown into the midst of photographs from around the world, the photo above would be difficult to place. But not only was this handsome structure built in 1883 in rural Oaxaca, its functional purpose was not to serve as a palatial retreat. It housed a spinning and weaving factory – Hilados y Tejidos La Soledad Vista-Hermosa.

In 2000, the shuttered factory in San Agustin Etla was reclaimed by artist Francisco Toledo, who had founded Arte Papel Vista Hermosa nearby two years earlier. The artist purchased the property to serve as an ecologically based arts center. With public and private funding underwriting its adaptive reuse, the property opened to the public in 2006 as the Centro de las Artes de San Agustin, or CASA.

A retrospective exhibit of photographs of Mary Ellen Mark, who died this past year, is currently on exhibit in the lime green Galeria del Chalet perched above the former factory.

In 1991, film director Louis Malle described Mark’s work in Rolling Stone:

Because she is so intensely involved with her subjects, because she gets to know them intimately, because she loves them, she often reveals in one single shot their history, their emotions, their souls. When she photographed runaway boys and girls in the streets of Seattle, she spent so much time with them that her portraits project a disturbing intimacy, a powerful bond between the camera and the children. Strangely, some of the photographs seem like self-portraits…. she knows how to find the perfect angle, the exact fraction of a second that will tell the story in one shot.

Not only did Mark leave behind a legacy of remarkable photographs, but she left her imprint on the work of the hundreds of photographers she taught through the years. She led workshops in Oaxaca for more than 20 years, and we were fortunate to catch an exhibition of some of her students’ works at the Centro Fotografico Manuel Alvarez Bravo in Oaxaca as well.

Postcard from San Agustin Etla, Oaxaca, Mexico: Perfect jewels for that first anniversary

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Although paper is regarded as somewhat ephemeral, paper beads designed by Kiff Slemmons are meant to endure.

Slemmons’ works are represented in the collections of the Victoria and Albert Museum in London, the Metropolitan Museum of Art in New York and the Museum of Fine Arts in Boston. According to Amy Yee in The New York Times, her unusual one-of-a-kind creations normally sell for $5,000 to $10,000, but most of her chunky contemporary jewelry designs for Arte Papel Vista Hermosa in San Agustin Etla sell for well under $50 (Note: The price tag visible on one of the pictured bracelets is in pesos, 250 pesos, or about $14.).

The paper workshop was founded by artist Francisco Toledo in 1998 in a former hydroelectric plant that once served Oaxaca City. Using the available water supply, native plants surrounding the workshop and traditional natural dyes, a dozen artisans tapped by Toledo make their living at the workshop.

Yee wrote that Toledo invited Slemmons to el taller in 2000. Her resulting jewelry designs involve folding and rolling strips of the workshop’s handmade paper. Slemmons now makes time annually to travel from Chicago to work with the craftsmen in Oaxaca, refining the pieces and refreshing herself by experiencing “what can happen through collaboration.”

Sheets of textured paper, kites and jewelry perfect for that first anniversary celebration are available at the workshop and in museum shops in Oaxaca City.

 

Postcard from Villa de Etla, Oaxaca: Pain paved the road to sainthood

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Although the Church of San Pedro y San Pablo is far from small and fronts a spacious walled-in plaza in Villa de Etla, finding it though the maze of Wednesday market vendors with tarps obscuring upward views can be difficult.

The church and former monastery were founded by Dominican priests and built in the early 1600s. Their name honors two of the Catholic Church’s earliest and most famous martyrs, Saints Peter and Paul. The pair suffered rather painful ends under Emperor Nero: San Pedro was crucified, upside down at his request because he felt unworthy of dying in the same fashion as Jesus, while San Pablo was beheaded. Villa de Etla stages a major festival in their honor at the end of June.

But the San Pedro statue that catches one’s eye is of a Dominican priest who perished more than 1,200 years later. Brother Pedro’s preaching attracted papal attention, and he was promoted upward by Pope Innocent IV, who named him the Inquisitor for Lombardy in 1252. Charged with punishing heretics using some of the same brutal tactics as Emperor Nero had employed in Rome, San Pedro of Verona was pleasing the pope but made a number of powerful enemies. Assassins attacked him before he served even a full year in his position as Inquisitor. His enemies sliced his head open with an axe, and, when he continued to loudly profess his faith through prayers, they finished him off by stabbing him in the heart. San Pedro was rewarded with sainthood before the next year passed.

The statue of San Antonio of Padua bears such a sad expression; he appears to be mourning the loss of the original, more-to-scale sculptured companion of El Nino Jesus. Saint Anthony actually places second, falling only behind San Pedro of Verona, as the candidate canonized most quickly after death by the Catholic Church.

While in town on market day, many of the faithful visit the church to pray, light candles of hope and leave photos of loved ones in need of miracles.