Postcard from London, England: Art restores power to the station

 Above: “Life in His Mouth, Death Cradles Her Arm,” Naufus Ramírez-Figueroa, 2016. Photo grab from video.

St. Paul’s Cathedral

Architectural Challenge Number One, 1940s: Design an industrial complex on a site directly across the Thames from one of London’s most cherished landmarks – Saint Paul’s Cathedral. Sir Giles Gilbert Scott (1880-1960) was an accomplished architect by the time he was tapped to tackle the Bankside Power Station. Unlike his earlier two-chimneyed Battersea Power Station, Bankside featured a single soaring chimney front and center, prompting some to refer to it as the cathedral of industry.

Architectural Challenge Number 2, 1990s: Convert a massive decommissioned power station into a frame for modern art. An international competition attracted 168 submissions, with the Swiss architectural firm of Herzog & de Meuron selected for the adaptive reuse project. The firm’s respect for and desire to preserve the external features of the brick power station impressed the selection committee of the Tate Modern.

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Postcard from London, England: Women-splaining Guerrillas at the Tate

Above: “How To Enjoy the Battle of the Sexes,” The Guerrilla Girls, London’s Tate Modern

Flash back to 1984 and the International Survey of Recent Paintings and Sculpture at the Museum of Modern Art in New York City.

Women artists did the math: Out of 165 artists, a mere 13 were women. The Guerrilla Girls were born. They picketed MOMA. As “the conscience of the art world,” they’ve been battling gender inequality and racism entrenched in it ever since.

Why masks? The protesters’ anonymity achieved by guerrilla masks puts the spotlight on the issues instead of the individual women artists or their talents.

The Tate Modern currently has a large wall dedicated to Guerrilla Girls’ posters stridently illuminating gender and race gaps throughout the world.

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